Facsimile Editions: Beatus of Liébana

In the 8th century, the learned Spanish monk Beatus of Liébana wrote a commentary on the biblical Book of Revelation that was to become widely read and well-known, especially in the Early and High Middle Ages. The Beatus manuscripts quickly developed into a genre of their own, which was of particular importance in northern Spain. Even today, the wondrous and symbolic imagery of the 27 surviving codices, the majority of which are available as facsimile editions, is fascinating.

Beatus of Liébana - Emilianense Codex

Created and beautifully illuminated almost 1,100 years ago: one of the oldest surviving Beatus manuscripts

Monastery of Valeránica (Spain) — Ca. 930

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Beatus of Liébana - San Miguel de Escalada Codex

The unique treasure of the famous Morgan Library in New York: the oldest and only 2-volume Beatus manuscript, magnificently illuminated and style-forming for the entire genre

San Salvador de Tábara (Spain) — Ca. 940–945

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Beatus of Liébana - Escorial Codex

Created at the end of the 1st millennium and preserved today in the famous library of El Escorial: perhaps the most valuable of all surviving Beatus manuscripts

Most probably the scriptorium at San Millán de la Cogolla, Rioja (Spain) — ca. 950

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Beatus of Liébana - Tábara Codex

Completed exactly on July 27, 970: a unique Beatus manuscript and milestone in art history with the miniature of the famous tower scriptorium of the Tábara monastery

San Salvador Monastery in Tábara (Spain) — 10th century

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Beatus of Liébana - Valcavado Codex

Fascinating Mozarabic book art preserved in the monastery of Valcavado until the 16th century: one of the best preserved Beatus manuscripts and "one of the most impressive Spanish works of art" of the High Middle Ages

Monastery of Santa Maria in Valcavado (Spain) — June 8 to September 8, 970

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Beatus of Liébana - Girona Codex

Already very special because the names of the patrons, illuminators, and scribes are known: one of the most beautiful and probably best documented Beatus manuscripts in the world

Scriptorium of the Monastery of San Salvador de Tábara (Spain) — 975

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Beatus of Liébana - Codex Urgellensis

Stolen in 1996 and returned a year later: a great jewel among the Beatus manuscripts

San Millán de Suso, Léon or La Rioja (Spain) — Last quarter of the 10th century

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Beatus of Liébana - San Millán Codex

With excerpts from the words of Isidore de Seville (ca. 560–636): a Beatus manuscript in Mozarabic and Romanesque style

Probably Castile (Mozarabic Part) and San Millán de la Cogolla (Romanesque part) (Spain) — First part: Late 10th or early 11th century (Mozarabic); Second part: second half of the 11th century (Romanesque)

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Beatus of Liébana - Saint-Sever Codex

A highlight of the 11th century with influences of Insular, African, Islamic, and Oriental art: the only Beatus manuscript produced in France and endowed with no less than 112 impressive miniatures

Saint-Sever Monastery, Saint-Sever (France) — Ca. 1038

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Beatus of Liébana - Facundus Codex

The only Beatus manuscript that was not created in a monastery but at the royal court: the impressive work of the scribe Facundus for King Ferdinand I and his wife

León (Spain) — Ca. 1047

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Beatus of Liébana - Navarra Codex

Majestic angels and fearsome monsters of the Apocalypse: a Beatus manuscript with a turbulent ownership history and unique painting

Navarra (Spain) — 11th century

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Beatus of Liébana - Burgo de Osma Codex

The stylistic transition from Mozarabic to Romanesque: the Beatus manuscript with the famous double-page mappa mundi populated by mythical creatures

Spain — 1086

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Beatus of Liébana - Geneva Codex

First rediscovered in Geneva in 2007: an Italian Beatus manuscript created in the famous Abbey of Monte Cassino

Probably Montecassino Abbey (Italy) — Late 11th and early 12th century

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Beatus of Liébana - Silos Codex

Sold by Napoleon's brother to the British Library in 1820: a fascinating Beatus manuscript with over 100 gilded miniatures that took 20 years to complete

Scriptorium of the Monastery of Santo Domingo de Silos (Spain) — April 18th, 1091 – June 30th, 1109

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Beatus of Liébana - Berlin Codex

A true rarity as an Italian Beatus manuscript: unique pen and ink drawings with John, the author of the Apocalypse, hidden in each miniature

Italy — Early 12th century

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Beatus of Liébana - Manchester Codex

With 123 full-page miniatures in the Romanesque-Byzantine style: a Beatus manuscript with epic scenes such as the Great Flood embellished with gold and silver

Probably Castile (Spain) — 12th century

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Beatus of Liébana - Turin Codex

A woman in the team of illuminators: a Beatus manuscript based on the 10th century Girona Codex and yet with unique miniatures

Gerona Cathedral (Gerona, Spain) — 12th century

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Beatus of Liébana - Corsini Codex

Miniatures of haunting beauty: in some respects perhaps the most interesting of the 27 Beatus manuscripts that have survived to the present day

Monastery of Sahagún (Léon, Spain) — 1151–1200

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Beatus of Liébana - San Pedro de Cardena Codex

The bridge between Romanesque and Gothic: a Beatus manuscript magnificently illuminated by two masters of their respective styles

Scriptorium of the Monastery of San Pedro de Cardeña (Burgos, Spain) — Between 1175 and 1185

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Beatus of Liébana - Lorvao Codex

Furnished with 88 large miniatures: a unique Beatus manuscript and the oldest surviving example of Portuguese illumination

Saint Mamede Monastery of Lorvao (Portugal) — 1189

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Beatus of Liébana - San Andrés de Arroyo Codex

Made ca. 1220 for the King of Castile: one of the last and most beautiful Beatus manuscripts

Scriptorium of the Monastery of San Pedro de Cardeña (Burgos, Spanien) — Ca. 1220

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Beatus of Liébana - Huelga Codex

The last and at the same time largest manuscript of the famous Spanish Beatus tradition: over 100 Gothic miniatures, some of them double-pages, created for the daughter of King Alfonso III of Castile

Las Huelgas Monastery, Burgos (Spain) — 1220

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