Spirituale Pomerium

Spirituale Pomerium – Arnold Verlag – ms. 12070 – Bibliothèque Royale de Belgique (Bruxelles, Belgium)

Ca. 1440

Mysterious mysticism of the 15th century: a young girl gathering apples as an allegory for the Christian soul receiving divine benefits

  1. The codex is not technically a printed book, but a paper manuscript designed to accommodate woodcuts

  2. Hendrik van den Bogaerde (1382–1469) was a cleric, prior, and author of this and other texts

  3. The woodcuts were likely created by Rogier van der Weyden (1400–64) or Vrancke van der Stockt (before 1420–95)

Spirituale Pomerium

ms. 12070 KBR (Koninklijke Bibliotheek van België/Bibliothèque royale de Belgique) (Brussels, Belgium)
  1. Description
  2. Facsimile Editions (1)
Description
Spirituale Pomerium

The Spirituale pomerium, which can be translated as “Spiritual Apple Orchard”, is a codex consists of a treatise on spiritual blessings illustrated by twelve woodcuts. Strictly speaking, the codex is not a chiro-xylographic book but a manuscript of twenty-five paper leaves in which twelve block prints are variously mounted, at the head, middle, or foot of the pages. It appears as though the scribe planned the layout of the pages to accommodate the pictures. The verso of the first page beards an inscription with the name Henricus ex Pomerio, which was a pseudonym used by Hendrik van den Bogaerde, a cleric, prior, and author of this and other texts. Research indicate that both the manuscript and the woodcuts originated from ca. 1440. The woodcuts include 4 scenes from the Old Testament and 8 from the New ranging from Creation to the Coronation of the Virgin Mary with explanatory texts in banderoles. Each depicts a tree beneath which a pious soul, represented by a young girl, gathers three apples representing three blessings. It is believed that either Rogier van der Weyden or Vrancke van der Stockt was the artist responsible for these woodcuts. Only one copy stored in the Bibliothèque Royale in Brussels survives today.

Spirituale Pomerium

This manuscript is a wonderful sample of the early art of engraving in the Netherlands, which decorate an intriguing text reflecting the state of late medieval spirituality. Research indicates that both the manuscript and the woodcuts originated from ca. 1440. The 12 woodcuts include four scenes from the Old Testament and eight from the New Testament ranging from Creation to the Coronation of the Virgin Mary with explanatory texts in banderoles. Each depicts a tree beneath which a pious soul, represented by a young girl, gathers three apples representing three blessings. It is believed that either Rogier van der Weyden (1399/1400–1464) or Vrancke van der Stockt (before 1420–95) was the artist responsible for these woodcuts. Only one copy stored in the Bibliothèque Royale in Brussels survives today.

Henricus ex Pomero

Hendrik van den Bogaerde (1382–1469) is believed to be the author of the text because of an inscription on fol. 1v reading Henricus ex Pomerio, which Bogaerde commonly used as a pen name. After ten years as Prior of Sept-Fontaines, Bogaerde was named Prior of Groenendael in 1431. Furthermore, a catalog of his works has been preserved there and includes the Spirituale Pomerium, so his authorship is fairly certain. The following statement appears in Latin at the end of the manuscript without the proper contraction marks: explicit sp(irit)uale pomeriu(m) editu(m) anno d(omi)ni m ccccxl.

Determining the Identity of the Artist

The artistic style has been related to the work of Rogier van der Weyden, who had a known connection with Groenendael Priory, where one of his paintings was preserved. It is recorded that after his death in 1464, masses were said there for his soul. The style has also been associated with the work of the Master of the Redemption, named for an altarpiece in the Prado, who, in turn, has been thought to be Vrancke van der Stockt. He was a student of van der Weyden’s and succeeded him as the master painter of Brussels. If the designs for the Spirituale were made about 1440, either van der Weyden or van der Stockt could have been the artist.

Codicology

Alternative Titles
Spiritual Apple Orchard
Geistlicher Apfelgarten
Size / Format
50 pages / 27.5 × 21.0 cm
Date
Ca. 1440
Language
Illustrations
12 woodcuts
Artist / School
Facsimile Editions

#1 Documents iconographiques et typographiques de la bibliothèque royale de Belgique : Fac-simile photo-lithographiques, avec texte historique & explicatif par MM. les conservateurs & employés de la bibliothèque royale; Avec autorisation de M. le Ministre de

Arnold Verlag – Brussels, 1864
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