Cistercian Westmalle Antiphonary

Cistercian Westmalle Antiphonary – Brepols Publishers – 12A and 12B (m. 0, 2) – Abdij der Trappisten van Westmalle (Westmalle, Belgium)

Probably Cherlieu (France) — 1136–1147

Mutilated, tattered, patched, erased, and scratched: fascinating fragments with significant remnants of early liturgy as important witness to the Cistercian liturgical reform under Bernard of Clairvaux

  1. The liturgical text was originally written ca. 1136/40 then scraped and corrected ca. 1140/43

  2. It first contained of the primitive Cistercian liturgy under Stephen Harding (ca. 1060–1134)

  3. Corrections were made after the second reform under Bernard of Clairvaux (1090–1153)

Cistercian Westmalle Antiphonary

  1. Description
  2. Facsimile Editions (1)
Description
Cistercian Westmalle Antiphonary

The Trappist Abbey of Westmalle houses the Cistercian Westmalle Antiphonary, which was written and edited sometime between 1136 and 1143 and illuminated between 1142 and 1147. It contains the liturgy of Bernard of Clairvaux in addition to precious traces of the earlier Cistercian chant, unknown until now. This palimpsest has evidence of scraping, rewriting, variants, deletions, displacements, omissions, gaps, fragments, and duplicate pieces. Wear and tear over the centuries have left the antiphonary mutilated, lacerated, sewn up, erased, and scratched.

Cistercian Westmalle Antiphonary

An Antiphonary is a liturgical book used by a choir, which contains antiphons – short chants sung in refrain whose texts are drawn from the Psalms. The Cistercian Westmalle Antiphonary is a fragmentary palimpsest that was originally written ca. 1136/40 before being scraped and corrected ca. 1140/43. They contain the primitive Cistercian liturgy that was reformed by one of the founders of the Cistercian Order and the Abbot of Cîteaux, Stephen Harding (ca. 1060–1134), shortly after 1108, during which time he imposed the antiphonary of Metz on the Order. This remained in use until the second reform under Bernard of Clairvaux (1090–1153) in the early 1140’s. Therefore, these fragments represent a precious witness to the existence of the Bernardine drafts. Codicological analysis has revealed that the fragments originated in the Abbey of Fille-Dieu, Switzerland and were created by the same hands as well as having the same ornamentation and corrections. These corrections were likely made in the 16th century at the earliest in Hautcrêt Abbey, which was the mother house of Fille-Dieu until 1536. Nevertheless, the fragments of the Cistercian Westmalle Antiphonary represent a critically important source for the evolution of Cistercian chant during the 12th century.

Codicology

Alternative Titles
Zisterziensisches Antiphonale von Westmalle
L’antiphonaire 12 A-B de Westmalle
Origin
France
Date
1136–1147
Style
Language

Available facsimile editions:
Facsimile Editions

#1 L’antiphonaire 12 A-B de Westmalle dans l’histoire du chant cistercien au Xlle siècle

Brepols Publishers – Turnhout, 2011
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