Cistercian Antiphoners for Morimondo Abbey

Cistercian Antiphoners for Morimondo Abbey

Created in the third quarter of the 12th century, the Cistercian Antiphoners for Morimondo Abbey in the Diocese of Milan is a complementary series of antiphoners that together constitute a wonderful example of this important genre of medieval music manuscripts with staff notation. It is a complete manuscript that has had two small folios inserted into it at a later date and was rebound in the 16th century. Liber sancte mariae de morimundo mediolan[ensis] dioccesis is written twice on fol. 202v of NAL 1412, although not in the main hand of the manuscript so it is assumed that this too was added later. Diferenciae are identified by both a letter and a number. The letter indicates the pitch on which the formula ends; if more than one formula ends on that pitch, a number is assigned arbitrarily to distinguish them. The foliation used in the index is that given in the manuscript by a modern hand in the top right corner of the folios. Its tonary, an index listing various items of Gregorian chant by their incipits according to the Gregorian mode or tonus of their melodies within the eight-mode system, is one of the most complete sources that is very close to those used in Cistercian foundations in Austria, Germany, and Poland.

Morimondo Abbey

Morimondo Abbey was a Cistercian monastery located about 20 kilometers southwest of Milan and its original brick structure, built in the Romanesque and Gothic styles, still stands today. Founded in 1134 as a daughter house of Morimond Abbey near Dijon, its name means “die to the world”. The abbey soon attracted various patrons and postulants from all social classes and as a result numerous vocations were practiced at Morimondo. Activity flourished in the abbey’s scriptorium, which not only supplied their own library but also supplied books to two daughter houses. This manuscript was presumably created while Morimondo was under the leadership of Abbot Rogerio (d. 1195). Construction of the abbey was completed in 1296 after being delayed. This was both due to disputes with the clergy of a nearby village as well as various attacks on the abbey as it became entangled in wars between Pavia and Milan: Frederick Barbarossa (1122–90) and his troops looted Morimondo in 1161, it was attacked by Pavian troops in December of 1237, in which various monks were killed, and another attack by imperial troops occurred in 1245. At its height, the community included 50 monks and 200 lay brothers but is a museum today.