Codex Zouche-Nuttall
(under 1,000β¬)
As late as 1519, the same year that HernΓ‘n CortΓ©s had begun his conquest of the Aztec Empire, he sent the Spanish King and Emperor Charles V (1500β1558) two books of the "Yndios," as he wrote, to give his sovereign an impression of the βNew Worldβ. It stands to reason that one of these books was the Codex Zouche-Nuttall, which the Spanish conquistador considered representative of this type of book, which was unfamiliar in Europe. If the eleven-meter-long folding book manuscript did indeed reach Europe so early, it is a special stroke of luck that it has been preserved to this day. Made from deer parchment, the artistic manuscript contains extensive depictions of rituals, but above all historical representations, which include expansive geographical depictions of remarkable size. The manuscript is one of the most exciting and a extremely rare source for the history, art, and religion of pre-colonial Mesoamerica and Mixtec culture.
Codex Zouche-Nuttall
The Codex Zouche-Nuttall is one of the few surviving Mixtec manuscripts from pre-colonial times. The Mixtec culture was one of the defining cultures of ancient Mesoamerica, with origins dating back to the 7th century. The people originally called themselves Γuu Dzavui β the βPeople of Rainβ β and comprised one of the largest populations in the region. In the 15th century, the Mixtecs came under the rule of the powerful Aztec Empire and owed it tribute. Nevertheless, they were able to maintain their culture until they and their territories were colonized by the Spanish conquistadores during the 16th century. Therefore, any evidence of the people's life before the arrival of the Europeans is extremely valuable today.
Meandering Tales in Bright Colors
One such artifact is the more than 11-meter-long, accordion-folded *Codex Zouche-Nuttall***. With its colorful pictographs and ideographs, it is considered the most visually stunning Mixtec manuscript still in existence. Two painter-scribes were responsible for executing the manuscript β each for one side of the 11-meter-long parchment strip. Initially, the first described the 43 pages on the reverse, after which the second designed the 41 pages of the obverse. Both worked with a lot of red and ochre yellow. Only the color palette on the obverse is complemented by two bright blue pigments. In addition, red lines extending from the edges of the pages frequently indicate the reading direction, which mostly runs up and down in serpentine lines or bustrophedon.
Of Eight-Deer Jaguar Claw and Other Mixtec Rulers
The aesthetic differentiation between the two sides corresponds to the thematic division of the manuscript. While the obverse tells of the legendary, sometimes mythical origins of the Mixtec dynasties and urban and religious centers, the reverse presents an incomplete biography of the most prominent Mixtec ruler in the history of the people: Eight-Deer Jaguar Claw or Iya Nacuaa Teyusi ΓaΓ±a (1063β1115), who reigned in the 11th and 12th centuries. He was the only one who managed to unite the individual Mixtec principalities into an empire under his leadership. His genealogy is presented, his numerous political and strategic marriages are described, and some of his political and military successes are recounted, which were often associated with great brutality β such as the murder of his half-brother. The obverse of the folding book manuscript, on the other hand, provides more information on religious rituals and Mixtec sites, some of which are represented in large-format illustrations. This makes the Codex Zouche-Nuttall, together with the Codices Becker I/II and the Codex Vindobonensis Mexicanus 1, the most important written testimony to the history of Mixtec culture.
Codicology
- Alternative Titles
- Codex Caso
Codex Tonindeye
The Tonindeye (Nuttall) Codex
Teozacoalco Annals - Size / Format
- 192 pages / 23.5 Γ 19.1 cm (total length: 11.14 metres)
- Origin
- Mexico
- Date
- Between 1200 and 1521
- Epochs
- Style
- Script
- Pictographs Ideographs
- Illustrations
- 90 pages fully covered with pictographs and ideographs
- Content
- Political and dynastic history of the city-states of Tilantongo, Teozacoalco, and Zaachila, with a focus on the reign of Eight Deer Jaguar Claw (Iya Nacuaa Teyusi ΓaΓ±a)
- Previous Owners
- Robert Curzon, 14th Baron Zouche
Codex Zouche-Nuttall
Mesoamerican Ballgame
This sport with ritual associations has been played since at least 1650 BC and stone ballcourts, of which more than 1,300 have been discovered, began to appear a few centuries later. Although the rules of the ballgame have not been passed down, it is believed that the players struck the solid rubber ball with their hips, although some versions allowed the use of forearms, rackets, bats, etc. The incorporation of human sacrifice was a late addition that first appeared in the Classic period.

Codex Zouche-Nuttall
Amphibious Attack
Tenochtitlan, capital of the Aztec Empire, was famously an island city interlaced with a series of canals not unlike Venice. However, this was far from unique, and the conquistador Bernal DΓaz del Castillo wrote in his memoirs that he and his men were amazed at how many settlements were built in bodies of water. The most obvious reason for doing so would be for the sake of defense.
Here we see three Mixtec lords in their canoes as they set off to conquer a city on an island. All are armed and extravagantly dressed for war with feathers and animal skins. Several creatures are depicted in the waters below including a curled-up snake and an alligator with prickly spines running from its head down its back and tail.

#1 Der Codex Zouche-Nuttall
Languages: English, German
Preface in German by F. Anders, Vienna. βNotes on the Codex Zouche-Nuttallβ in English by N. P. Troike, Austin. Altogether 60 pp.
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