With elements almost like modern comics: pen drawings on the life of the saints and the stories of the Bible

Krumlov Picture Codex

Monastery of Krumau (Czech Republic) — Around 1360

Krumlov Picture Codex

Krumlov Picture Codex

Monastery of Krumau (Czech Republic) — Around 1360

  1. A *Biblia Pauperum*, various lives of saints, and some narratives of a didactic character are combined here

  2. The codex was designed as a picture book whose contents are briefly explained in the picture titles

  3. Occasionally, pictures contain information and sentences in direct speech just like in modern comic strips

Krumlov Picture Codex

Alternative Titles:
  • Krumauer Bildercodex
Krumlov Picture Codex – Cod. Vindob. 370 – Österreichische Nationalbibliothek (Vienna, Austria)
Imageof
Edition available
Ask for an offer!
  1. Short Description
  2. Codicology

Short Description

The Krumlov Picture Codex is, in many ways, a typical 14th century manuscript, both with respect to its content and its artistic character. Its subject matter consists of typological writings typical of the Late Middle Ages, such as a Biblia Pauperum, saints lives, and didactic narratives. The pictures in the Krumlov Codex are pen drawings, a technique that was widespread throughout Europe at the beginning of the 14th century, where it was mainly used for text books and scholarly manuscripts. These pen drawings were executed by three different hands which in spite of idiosyncrasies in style have created a harmonious ensemble. Favoring illustration over text, it was designed for the edification of both the lower clergy and illiterate commoners as well as wealthy noblemen and princes of the church.

Krumlov Picture Codex

The Krumlov Picture Codex is also known as liber depictus (painted book), because of its unusually rich pictorial decoration and due to an inscription on the title page. It is among the most precious manuscripts kept in the Austrian National Library to where it passed during the course of the Church reform under Joseph II which led to the dissolution of numerous monasteries. On a total of 172 parchment pages, the codex contains a Biblia Pauperum (Bible of the Poor), various lives of saints, and some narratives of a didactic character. Rather than being conceived as a scribal work to be illustrated at a later date, it was designed as a picture book whose contents are briefly explained in the picture titles. The numerous pen drawings executed by three different masters convey the religious contents in a devotional manner. The pious beholder may thus sink into the history of salvation with emphatic sensation and comprehend it rather with his heart than by reason. The Krumlov Picture Codex is probably the work of a team of artists active in the Minorite Monastery of Krumlov and was destined for use in the monastery itself. It was intended as a book of education for the lower clergy, emphasizing the picture rather than the word. This helped provide deeper satisfaction of the religious needs of this period than would have been possible with mere text.

An Edifying Picture Book

The pictures in the Krumlov Codex are pen drawings, a technique that was widespread throughout Europe at the beginning of the 14th century, where it was mainly used for text books and scholarly manuscripts. These pen drawings were executed by three different hands which in spite of idiosyncrasies in style have created a harmonious ensemble. They illustrate the narrative in all detail, in a very lively and natural manner, truly exemplifying the pictorial effect of the liber depictus. The picture sequences, arranged above each other in two or three strips, are explained in brief passages of Latin text which accompany the illustrated narrative in the form of headlines. They were written by six different individuals in gothic minuscule and rarely occupy more than one line. Occasionally, pictures contain supplementary information, such as the name of a person, and also sentences in direct speech making the involved figures speak just like in modern comic strips.

The Biblia Pauperum

The Biblia Pauperum probably goes back to the mid-13th century and belongs to the typological writings of the Late Middle Ages, which relate the entire cycle of the life and Passion of Christ. In three miniatures, scenes from the Old and the New Testament are paired, each individual miniature containing scenes from the Old Testament (types) which are framed by an episode of the New Testament (anti-types). The types of the Old Testament may be considered as a symbolic anticipation of the New Testament anti-types, whereas the latter are in turn understood as belated confirmation of the former.

An Excellent Source for Historians and Art Historians Alike

A valuable reference to the date and place of origin of the Krumlov Picture Codex is found in the three full-page miniatures. The frontispiece, with a depiction of the Virgin as apocalyptic sun bride and the depiction of the Transfiguration (fol. 156r), establishes a direct relationship to the consecration of the Minorite monastery at Krumlov, which was inaugurated in 1358 in honore corporis et Virginis Mariae. The frontispiece also marks a decisive turn in medieval religious thinking, from speculative to visionary piousness, from the abstract to the concrete. Such a vivid picture book was less bound to convey concrete information than conceptual ideas of edifying episodes. Emphasizing the picture over the written word, it was not only a piece of religious art destined for the lower, illiterate classes of the population but also meant to more deeply satisfy the religious needs of the noble and monastic circles of that period.

Codicology

Alternative Titles
Krumauer Bildercodex
Size / Format
344 pages / 34.5 x 25.3 cm
Date
Around 1360
Style
Gothic
Language

1 available facsimile edition(s) of „Krumlov Picture Codex“

Der Krumauer Bildercodex
Krumlov Picture Codex – Cod. Vindob. 370 – Österreichische Nationalbibliothek (Vienna, Austria)
Imageof

Der Krumauer Bildercodex

1 volume: Exact reproduction of the original document (extent, color and size)
Publisher
Akademische Druck- u. Verlagsanstalt (ADEVA) – Graz, 1967
Binding
Half leather
Commentary
1 volume (123 pages) by G. Schmidt and F. Unterkircher
Language: German

The facsimile edition is complete with a comprehensive scholarly commentary volume. Gerhard Schmidt gives an introduction to the contents and background of the manuscript and explains it from an art historical point of view, illustrating his comments with over 35 figures. Franz Unterkircher offers a German transcription and translation of the text, thus making the commentary volume a valuable guide to the manuscript.

Art historical introduction: G. Schmidt, Vienna. Transcription and translation into German: F. Unterkircher, Vienna. 123 pp. text, 7 plates with 35 illustrations.
  1. Matching Works
  2. Matching Background Articles

Matching Works

Book of Hours of Guyot Le Peley

Book of Hours of Guyot Le Peley

Only rediscovered in a London auction in 2005: a masterpiece by Jean Colombe with full-page and even double-sided miniatures

Experience More
Purple Passion of Fra Angelico

Purple Passion of Fra Angelico

Created for the Medici, preserved today in two museums on two continents: masterly miniatures of the Dominican monk Fra Angelico on purple parchment

Experience More

Matching Background Articles

Publisher