Leonardo da Vinci - De Divina Proportione - Ambrosiana Codex

Leonardo da Vinci - De Divina Proportione - Ambrosiana Codex – Ediciones Grial – Ms. 170 sup. – Veneranda Biblioteca Ambrosiana (Milan, Italy)

Italy β€” 1498

The principle of the golden ratio: The far-reaching insights from the brilliant collaboration between Leonardo da Vinci and the mathematician Luca Pacioli, illustrated with masterful geometric drawings

  1. Leonardo da Vinci (1452–1519) and the mathematician Luca Pacioli (ca. 1447–1517) collaborated on this masterpiece

  2. This manuscript of 1498 explores the mathematical relationship known as the golden ratio

  3. The manuscript brings this principle vividly to life through fascinating geometric illustrations

Leonardo da Vinci - De Divina Proportione - Ambrosiana Codex

Facsimile Copy Available!
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  1. Description
  2. Detail Picture
  3. Single Page
  4. Facsimile Editions (2)
Description
Leonardo da Vinci - De Divina Proportione - Ambrosiana Codex

With their treatise on the golden ratio and its application to various arts, the mathematician Luca Pacioli and the painter Leonardo da Vinci created a fascinating meeting of mathematics and art. Thanks to its clearly understandable texts and gorgeous and interesting illustrations, the work still speaks to readers outside mathematical circles. The Ambrosiana manuscript dates from 1498. Particularly worthy of note are its geometric illustrations, which make complex spatial forms vividly tangible.

Leonardo da Vinci - De Divina Proportione - Ambrosiana Codex

De Divina Proportione brings the world of mathematics into a fascinating dialogue with art. In the Ambrosiana manuscript of 1498, the work of the mathematician and Franciscan friar Luca Pacioli meets the geometric imagination associated with Leonardo da Vinci. The illustrations give spatial forms an extraordinary clarity.

The Union of Mathematics and Art

The Ambrosiana manuscript of 1498 concerns mathematical proportions and their relationship with geometry and art. Its exploration of the golden ratio invites the reader to discover the elegant structures behind visible forms, while the geometric illustrations turn mathematical ideas into a captivating visual experience.

Astounding Geometric Illustrations

**The geometric illustrations are among the manuscript’s most captivating features. The forms associated with Leonardo da Vinci give mathematical relationships a vivid presence on the page, revealing the beauty of spatial structures with remarkable clarity.

Codicology

Alternative Titles
La Divina ProporciΓ³n
De Divina Proportione. El verdadero CΓ³digo Da Vinci, la obra perfecta
Size / Format
260 pages / 28.5 Γ— 20.0 cm
Origin
Italy
Date
1498
Language
Script
Humanistic
Illustrations
Illuminated initials and geometric illustrations
Content
Mathematical proportions (for example, the "golden ratio") and their applications in perspective, geometry, and architecture
Artist / School
Previous Owners
Galeazzo da Sanseverino
Count Galeazzo Arconati

Available facsimile editions:
Leonardo da Vinci - De Divina Proportione - Ambrosiana Codex – Ediciones Grial – Ms. 170 sup. – Veneranda Biblioteca Ambrosiana (Milan, Italy)
Ediciones Grial – Valencia, 2007
Limited Edition: 999 copies

De Divina Proportione – Patrimonio Ediciones – Ms. 170 sup. – Veneranda Biblioteca Ambrosiana (Milan, Italy)
Patrimonio Ediciones – Valencia, 2019
Limited Edition: 999 copies
Detail Picture

Leonardo da Vinci - De Divina Proportione - Ambrosiana Codex

Skeletal Polyhedron

This polyhedron is virtually perfect and may even originate from the hand of Leonardo da Vinci, a friend and collaborator of Luca Pacioli, the work’s author. In fact, the two Renaissance geniuses lived together in Milan for a time until 1499, when they were forced to flee due to the invasion of King Louis XII of France. Their work from the 1480’s endured after they parted ways in 1506 and became a standard mathematical text as well as one of the most important treatises of the Renaissance.

Leonardo da Vinci - De Divina Proportione - Ambrosiana Codex – Ediciones Grial – Ms. 170 sup. – Veneranda Biblioteca Ambrosiana (Milan, Italy)
Single Page

Leonardo da Vinci - De Divina Proportione - Ambrosiana Codex

Presentation Miniature

Dressed in the simple brown robes of a Franciscan friar, the author of this important mathematical treatise, Luca Pacioli, is depicted here presenting the work to the man who patronized his labor, Ludovico Sforza. One of the greatest art patrons of Renaissance Italy, Ludovico’s coat of arms as Duke of Milan are presented at the bottom of the page.

The attention to detail is incredible for an image this size, especially with regard to the gestures and postures of the figures and their garments’ fall of folds. Presented within an elegant golden frame as though it were a small panel painting, this miniature is only a centerpiece of a perfectly composed page, including a brilliant crimson field of golden text at the top of the page.

Leonardo da Vinci - De Divina Proportione - Ambrosiana Codex – Ediciones Grial – Ms. 170 sup. – Veneranda Biblioteca Ambrosiana (Milan, Italy)
Facsimile Editions

#1 La Divina ProporciΓ³n

Ediciones Grial – Valencia, 2007

Publisher: Ediciones Grial – Valencia, 2007
Limited Edition: 999 copies
Binding: Dark brown leather binding with gold and blind tooling
Commentary: 1 volume by Antonio M. GonzΓ‘lez RodrΓ­guez
Language: Spanish
Complete color reproduction of the original β€œLeonardo da Vinci - De Divina Proportione - Ambrosiana Codex” at its original size. The facsimile aims to reproduce the original’s appearance, feel and physical characteristics as faithfully as possible. The pages are trimmed to the original format. The binding may differ from the original’s present-day binding.
Facsimile Copy Available!
Price Category: €€
(1,000€ - 3,000€)

#2 De Divina Proportione. El verdadero CΓ³digo Da Vinci, la obra perfecta

Patrimonio Ediciones – Valencia, 2019

Publisher: Patrimonio Ediciones – Valencia, 2019
Limited Edition: 999 copies
Binding: Its binding follows the 1498 original, attributed to Leonardo’s design: leather over boards, blind embossing, aged gold and silver decoration, and bronze clasps plated with pure 24-carat gold
Commentary: 1 volume
Language: Spanish
Complete color reproduction of the original β€œLeonardo da Vinci - De Divina Proportione - Ambrosiana Codex” at its original size. The facsimile aims to reproduce the original’s appearance, feel and physical characteristics as faithfully as possible. The pages are trimmed to the original format. The binding may differ from the original’s present-day binding. The edition contains De Divina Proportione and complete facsimiles of two celebrated works by Leonardo: The Vitruvian Man and his self-portrait. De Divina Proportione comprises 260 parchment pages measuring 28.5 Γ— 20 cm, including 61 full-page color illustrations by Leonardo and 102 gold-illuminated chapter initials; source: Pinacoteca and Biblioteca Ambrosiana, Milan, shelfmark & 170 sup. The Vitruvian Man is reproduced as a 34.4 Γ— 24.5 cm scroll after the Accademia Gallery original in Venice; the self-portrait is reproduced on parchment, 33.5 Γ— 21.6 cm, after the Biblioteca Reale original in Turin.
Facsimile Copy Available!
Price Category: €€
(1,000€ - 3,000€)
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