Liber scivias

Liber scivias – Akademische Druck- u. Verlagsanstalt (ADEVA) – Original manuscript lost

Monastery of Rupertsberg (Germany) β€” Ca. 1175 The lost original manuscript was copied by hand between 1927 and 1933 by nuns in Abbey of St. Hildegard

Lost in World War II: one of the main works by the famous abbess and visionary Hildegard von Bingen with her theological-cosmological findings

  1. Hildegard von Bingen (1098–1179) was a fascinating medieval figure and the most prolific female author of the period

  2. This is Hildegard's first theological-cosmological work and it continues to offer prophetic guidance today

  3. The original was lost during World War II, but nuns from her cloister fortuitously made a copy between 1927 and 1933

Liber scivias

Facsimile Copy Available!
Price Category: €€€€
(7,000€ - 10,000€)
  1. Description
  2. Detail Picture
  3. Single Page
  4. Facsimile Editions (2)
Description
Liber scivias

Hildegard von Bingen is one of the most interesting figures of the Middle Ages, and was probably the most prolific female author of the period, writing on topics ranging from theology to botany. The Liber Scivias – β€œKnow the Way” – is the first theological-cosmological work by Hildegard and it continues to provide us with prophetic guidance today. Hildegard began having visions at a young age and became one of the most famous medieval Christian mystics. She spent more than ten years recording these visions in a book, at the heart of which is the inseparable oneness of the Universe (macrocosm) and man (microcosm). Although many manuscripts of this work were made during and after Hildegard's lifetime, the Rupertsberg SCIVIAS-Codex from 1175 is undoubtedly the most splendidly illuminated. Although the original was lost in the chaos of World War II, it just so happens that an exact copy of it had been painstakingly made by nuns from the same cloister as Hildegard between 1927 and 1933.

Liber Scivias

Almost no woman in the history of the Middle Ages has been so received, appreciated, and adored throughout time – even up to the present day – as cloister-founder Hildegard von Bingen (1098–1179). More than 900 years later, her charisma continues to shine through the ages. Liber Scivias – β€œKnow the Way” – is the first theological-cosmological work of Hildegard and it continues to provide us with prophetic guidance today. The book deals with the inseparable oneness of the Universe (macrocosm) and man (microcosm); showing the way of salvation – not only of man but also the world and cosmos as a whole - from the creation of the world and man to his redemption through Christ and the church up to the end of time. This book, which Hildegard worked on for over ten years and has been presented throughout history in the form of various manuscripts, is a testimony to her reputation as prophet, teacher, writer, and Christian mystic. Visions were nothing new for Hildegard, who began at the age of 3 to have what she called extraordinary perceptions termed visio. These came β€œnot from a dream, nor in sleep or mental confusion, not by way of the naked eye or the audible ear, but rather I received them in a waking state, of sound mind and body, through the eyes and ears of inner man in the most isolated of places, as God had intended.” At the beginning of each section is a β€œvision” of striking presence and at the same time, soft eloquence, which creates a relationship of man to God, his renunciation and subsequent return to his creator. Through the richly colored forms contained in each visio, the invisible is becomes visualized.

A Manuscript Worthy of Hildegard's Visions

However, only one manuscript of the many made can be truly considered luxurious and richly illuminated: the famous Rupertsberg SCIVIAS-Codex from 1175; created during Hildegard’s lifetime in the monastery of Rupertsberg and decorated with 35 magnificent miniatures. It is as though she has created a window to the heavens and to transcendence in this codex – with a neologism: β€œfenestraliter”, which constitutes a prophetic faithful existence man still deeply longs for today. We owe the fact that the Rupertsberg SCIVIAS was not lost during the confusion of the times to the deceased nun in question: the Abbess Regentrudis Sauter, the 36th such and successor of Hildegard, wanted to dedicate it to the Golden anniversary of the order. During the years 1927 – 1933, the codex was taken out of the State Library in Wiesbaden and transferred to the abbey where four nuns took six years to write the text in exact accordance with the original and copy the miniatures by hand. No one could have known at the time that this authentic, true to the original, and extremely valued copy would become the only remaining codex – the original having been lost during the turmoil of the Second World War in 1945. This invaluable treasure is consequently guarded and kept in safe-keeping with great pride and diligence.

The Facsimile of Liber Scivias

To produce a facsimile edition of a missing manuscript presents many uncommon and trying challenges: many details can only be verified on the basis of descriptions and second-hand sources, thus making the volume Liber Scivias even the more valuable. The nuns provided their own timely version of the cover, however, this did not reflect the actual state of the cover at the time of its disappearance. According to records from the year 1931, a detailed description is given of the original volume of the codex lost during the war: the number of existing embossments and fittings, as well as the remaining clasps on the leather volume. As well, we know that the singular stamp used on the Liber Scivias is the same as the one on the so- called Giant Codex of Hildegard of Bingen (Hs.2). A further piece of helpful information was available to us: the Liber Scivias was completely photographed in 1920. Even though the quality of these 90 year-old black-and-white photos is not in accordance with today’s standards, the comparison of the photos of the original missing codex with that of the existing β€œGiant Codex” allows us to, as exactly as is possible, reconstruct the original volume of the Liber Scivias.

Codicology

Alternative Titles
Rupertsberger Codex
Liber scivias von Hildegard von Bingen
Size / Format
242 pages / 32.5 Γ— 23.5 cm
Origin
Germany
Date
Ca. 1175 The lost original manuscript was copied by hand between 1927 and 1933 by nuns in Abbey of St. Hildegard
Style
Language
Illustrations
35 miniatures with gold and silver (16 full-page, 15 half-page, 4 quarter-page miniatures); 27 superb initials with gold and silver
Content
Theological-cosmological work dealing with the inseparable oneness of the Universe (macrocosm) and man (microcosm)
Artist / School
Previous Owners
Abbey of St. Hildegard in RΓΌdesheim
State Library in Wiesbaden

Available facsimile editions:
Liber scivias – Akademische Druck- u. Verlagsanstalt (ADEVA) – Original manuscript lost
Akademische Druck- u. Verlagsanstalt (ADEVA) – Graz, 2012
Limited Edition: 181 copies

Liber scivias – Akademische Druck- u. Verlagsanstalt (ADEVA) – Original manuscript lost
Akademische Druck- u. Verlagsanstalt (ADEVA) – Graz, 2012
Limited Edition: 99 copies
Detail Picture

Liber Scivias

The Last Judgement

Presented in dramatic fashion with plenty of gold leaf, Hildegard von Bingen’s vision of the Last Judgement shows Christ seated in a round mandorla, the wounds of the Crucifixion clearly visible in his red skin. Sometimes referred to as the Day of the Lord, it is initially referred to in prophetic Old Testament books like Joel and Isaiah, the phrase is often used to refer to catastrophic events like an invasion and has been used to identify both the first and second comings of Christ.

Liber scivias – Akademische Druck- u. Verlagsanstalt (ADEVA) – Original manuscript lost
Single Page

Liber Scivias

The Choirs of Angels

In one of her visions, Hildegard von Bingen saw nine angelic choirs singing together, all arranged with numerological and spiritual connotations. The first two are grouped together, symbolizing the body and soul of man, the next five rows represent the five senses of man purified by the wounds of Christ, and the last two represent the duel love for God and one’s neighbor.

As the rows get closer to God, represented by a field of white in the center because God’s mystery is veiled from man, the angels are of ever-increasing rank and holiness. "All these rows sounded in all sorts of music and announced miracles in wondrous harmonies the wonders, which God works in holy souls – a high song of glorification of God." (Scivias I.6.)

Liber scivias – Akademische Druck- u. Verlagsanstalt (ADEVA) – Original manuscript lost
Facsimile Editions

#1 Liber Scivias (Normal Edition)

Publisher: Akademische Druck- u. Verlagsanstalt (ADEVA) – Graz, 2012
Limited Edition: 181 copies
Binding: Leather binding with original blind embossing. Facsimile volume in slipcase, separate commentary volume.
Commentary: 2 volumes by Mechthild Heieck, Sr. Maura ZΓ‘tony, and Lieselotte E. Saurma-Jeltsch
Language: German
1 volume: Exact reproduction of the original document (extent, color and size) Reproduction of the entire original document as detailed as possible (scope, format, colors). The binding may not correspond to the original or current document binding. Facsimile is not a copy of the original manuscript from the Middle Ages. It was made on the basis of a copy from 1933, since the original disappeared since the Second World War.
Facsimile Copy Available!
Price Category: €€€€
(7,000€ - 10,000€)

#2 Liber Scivias (Luxury Edition)

Publisher: Akademische Druck- u. Verlagsanstalt (ADEVA) – Graz, 2012
Limited Edition: 99 copies
Binding: Leather binding with original blind embossing and brass fittings: 8 corner fittings, 2 center fittings, 2 leather ribbon clasps. Facsimile volume in slipcase, separate commentary volume.
Commentary: 2 volumes by Mechthild Heieck, Sr. Maura ZΓ‘tony, and Lieselotte E. Saurma-Jeltsch
Language: German
1 volume: Exact reproduction of the original document (extent, color and size) Reproduction of the entire original document as detailed as possible (scope, format, colors). The binding may not correspond to the original or current document binding. Facsimile is not a copy of the original manuscript from the Middle Ages. It was made on the basis of a copy from 1933, since the original disappeared since the Second World War.
Facsimile Copy Available!
Price Category: €€€€€
(over 10,000€)
You might also be interested in:
Guta-Sintram Codex – Faksimile Verlag – Ms. 37 – BibliothΓ¨que du Grand SΓ©minaire (Strasbourg, France)
Guta-Sintram Codex
Marbach Abbey, Upper Alsace (France) – 1154

The remarkable result of the extraordinary cooperation of a canoness and a canon: Augustinian rules, prayers, medicine and a register of the dead, united in a richly illuminated codex for the Schwarzenthann monastery

Experience More
Medical and Astrological Almanac – Quaternio Verlag Luzern – Ms. 7.141 – BibliothΓ¨que nationale et universitaire (Strasbourg, France)
Medical and Astrological Almanac
Southern Alsace (France) – Ca. 1445

Health tips and nutritional advice from the 15th century: a colorfully illuminated calendar manuscript with golden accents as a guide through everyday life in the Late Middle Ages

Experience More
Hortus Deliciarum – Hortus Deliciarum – Original manuscript lost
Hortus Deliciarum
Hohenburg Abbey, Alsace (France) – Last quarter of the 12th century

A manuscript from the 12th century that is special in two ways: the first richly illustrated encyclopedia written by a woman as well as an early source for polyphonic music

Experience More
Saint Hildegard's Prayer Book – Reichert Verlag – Clm 935 – Bayerische Staatsbibliothek (Munich, Germany)
Saint Hildegard's Prayer Book
Bingen and Worms area (Germany) – Ca. 1175–1180 or first half of the 13th century

Decorated with 72 Romanesque miniatures depicting the stories of the Old and New Testament: the personal prayer book of the famous abbess, writer, philosopher, and mystic Hildegard von Bingen

Experience More
Wiesbaden Codex – Reichert Verlag – Hs. 2 – Hochschul- und Landesbibliothek RheinMain (Wiesbaden, Germany)
Wiesbaden Codex
Monastery of Rupertsberg (Germany) – Ca. 1180–1190

Music by one of the most influential women of the Middle Ages: Hildegard von Bingen's ingenious compositions from the Rupertsberg Codex, which was completed on her deathbed

Experience More
Passional of Abbess Kunegunda – Odeon – MS XIV A 17 (Truhlar lat. 2430) – National Library of the Czech Republic (Prague, Czech Republic)
Passional of Abbess Kunegunda
Prague (Czech Republic) – 1313–1321

A monument of Czech culture: an anthology of various mystical treatises on the Passion decorated with the oldest preserved Bohemian coat of arms in color

Experience More
Blog articles worth reading
Filter selection
Publisher