New Book of Flowers
(under 1,000âŹ)
Maria Sibylla Merian (1647â1717) was not only the daughter of the famous engraver Matthaeus Merian the Elder (1593â1650), but herself a successful naturalist and gifted artist who devoted herself to illustrating scientific texts and was one of the first Europeans to intensively study insects. However, she first distinguished herself as a botanical illustrator with a three-volume series of books, which were united into a single volume in 1680, the New Book of Flowers or "Neues Blumenbuch". The 36 elaborate plates depicting wonderfully colored copper plate engravings of individual flowers, wreaths, nosegays, bouquets, and in some cases insects, seem to be probably inspired by works by Nicolas Roberts (1614â85) and Jacob Hoefnagel (1573 â ca. 1632), and later served in turn as models for other artists and as patterns for embroiderers. A remarkable insight into the work and self-conception of the celebrated female artist.
New Book of Flowers
From an early age, the artistic talents of Maria Sibylla Merian (1647â1717) were evident and rightly so since she was from a family of artists: she was a descendant of the Frankfurt branch of the Swiss Merian family and her father was the famous engraver and publisher MatthĂ€us Merian the Elder (1593â1650), who died when she was only three years old. Therefore, her artistic training was left to her stepfather, Jacob Marrel (1613/14â81), a German still life painter active in Utrecht during the Dutch Golden Age. Merian would go on to become one of the most respected female artists of her age, even rivalling Rachel Ruysch (1664â1750), aside from her reputation as a naturalist and one of the most significant contributors to the field of entomology.
Success as a Botanical Artist
Although Merian is most famous for her work with insects, her first success came as a botanical artist for her Neues Blumenbuch. It was originally designed as a pattern book for embroidery, which was an essential part of the education of privileged young ladies. The first volume of twelve loose plates that were engraved by the artist and colored after the print was published in 1675 and was followed by the next two volumes in 1677 and 1680. It was a luxury printing that was produced in limited numbers and as such few specimens have survived to the present. Merian also sold some hand-colored editions of the series and used vellum that she primed with white before painting with watercolors and gouache pigments because the guild system barred women from using oil paint.
The drawings were meant to be decorative, not botanical, and Merian did not personally observe all of the flowers, with some appearing to be based on drawings by her stepfather and the French miniaturist Nicolas Robert (1614â85). Butterflies and damselflies are included among the flowers, but again not all were based on direct observation, and some appear to be based on drawings by Jacob Hoefnagel (1573 â ca. 1632). At this time, copying from other artists was not looked down upon and was considered to be an essential part of an artistâs training.
Codicology
- Alternative Titles
- Neues Blumenbuch
Florum
M. S. GrĂ€ffin, M. Merians des Eltern seel: Tochter. NeĂŒes BlumenBuch - Size / Format
- 71 pages / 31.5 x 19.0 cm
- Origin
- Germany
- Date
- 1680
- Epochs
- Style
- Language
- Illustrations
- 31 full-page illustrations of plants
- Content
- Botanical treatise
- Artist / School
- Maria Sibylla Merian (1647â1717)
New Book of Flowers
The Fascination of Butterflies
Maria Sybilla Merian was not only a gifted artist, but also a passionate naturalist. Since her youth, she had been particularly interested in insects. She was the first European to systematically observe insects and went down in scientific history with her groundbreaking findings on the life stages of butterflies. This fascination with the metamorphosis of the animals runs through her entire work. Thus, this copperplate engraving of a daffodil is accompanied by a naturalistically depicted Polygonia c-album and a light yellow, hairy caterpillar that could belong to the pale tussock. Both animals match the colors of the plant's flowers perfectly.

New Book of Flowers
Jug of Flowers
Titled âBlumen-KrĂŒgleinâ (Little Jug of Flowers) in the table of contents, this copperplate engraving combines Merianâs passions for botany and zoology. The colorful bouquet of twelve different species of flowers serves not only as decoration, but also as a food source for the insects flitting around it. Added to this are the wonderfully dynamic depictions of cranes on the curving surface of the vase, next to which a stag beetle shows off its antler-like mandibles.
The image is also an artistic testimony to the heyday of the ceramic art known as âDelft Blue,â during which the New Book of Flowers was created. Inspired by blue and white porcelain imported from China, a unique tradition of blue and white pottery developed in the Netherlands, whose most outstanding examples, apart from tableware and candle holders, were vases such as this one.

#1 Neues Blumenbuch - New book of flowers
Languages: English, German
(under 1,000âŹ)
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