Silius Italicus: De Secundo Bello Punico Poema
(under 1,000β¬)
These seven grandiose miniatures attest to the visual splendor of the manuscript of which they were once a part: a valuable 15th-century Italian edition of Silius Italicus's Punica (c. 26βc. 100 AD). This epic poem by the famous ancient poet about the Second Punic War was rediscovered in Europe during the Renaissance and was widely admired. It is the longest coherent poem that has survived from Roman antiquity. Around 1448, the gifted Florentine artist Francesco di Stefano (c. 1422β1457), better known as Il Pesellino, created the illuminations for an opulent illuminated copy of the ancient work for none other than Pope Nicholas V (1397β1455). He is considered the first humanistically educated head of the Catholic Church and went down in history as a great patron of humanism and the arts. Under his aegis, the Vatican Library as we know it today was also established, and Il Pesellino's luxury manuscript may well have once been part of its collection.
Silius Italicus: De Secundo Bello Punico Poema
In his famous Punica, also known under the title De bello italic, the ancient Roman poet Silius Italicus tells about the Second Punic War. This epic made the author famous. The text, which was rediscovered and adapted in the Renaissance, celebrated the greatness and power of Rome and its heroes and it is the longest coherent poem that has survived from Roman antiquity.
In the Popeβs Possession
Pope Nicholas V (1447β1455) owned a richly-decorated codex of the Punica. This came along with the rest of Nicholas Vβs significant collection to the Dominican Convent of St. Peter and Paul in Venice. The excessively-decorated and famous manuscript was finally the victim of robbers and thus only seven pages survive today. Nonetheless, these are a grandiose attestation to the overwhelming splendor of the former codex. Today, these pages are stored in two different collections: in the Biblioteca Nazionale Marciana in Venice and the Hermitage in St. Petersburg. The Biblioteca Marciana also preserves the manuscript from which the pages were once cut out.
Seven Masterpieces of Renaissance Painting
The Silius Italicus manuscript originated ca. 1448 in Florence. The blessed artist of the work was Francesco di Stefano, called Il Pesellino, one of the most significant artists of the Florentine Quattrocento. Francesco di Stefano was influenced by Italyβs greatest masters, Filippo Lippi and Fra Angelico, inter alia. The seven surviving pages measuring c. 33 x 20 cm present gorgeous Renaissance-style depictions in full-page miniatures. Magnificent decorative frames, which imitate marble and other materials, surround the allegorical figures of Rome and Carthage, portraits of Silius Italicus, the generals Hannibal and Scipio Africanus, Pope Nicholas V, and the god Mars on a war chariot drawn by two horses in a marvelous landscape. They are all presented in profile as elegant figures in colorful garments, each standing in a bright alcove.
Codicology
- Alternative Titles
- Silius Italicus
- Size / Format
- 7 pages / 33.3 Γ 19.7 cm
- Origin
- Italy
- Date
- Around 1448
- Epochs
- Style
- Language
- Script
- Humanistic minuscule
- Illustrations
- 7 full-page miniatures, 1 historiated initial, 17 decorated initials, 1 historiated border
- Content
- Epic poem by Silius Italicus recounting events of the military conflicts between Carthage and Rome of 218-202 BCE
- Patron
- Pope Nicholas V (1397β1455)
- Artist / School
- Francesco di Stefano (il Pesellino)
- Previous Owners
- Dominican monastery of Saints John and Paul in Venice
Silius Italicus: De Secundo Bello Punico Poema
Scipio Africanus
Wearing a stylized helmet with a spined fish and the wings of an eagle, Scipio Africanus triumphantly holds up a sword β the tip of which pierces the gold leaf of the frame that surrounds him β as he stands in front of an alcove flanked by two green columns. Aside from being one of Romeβs greatest heroes, Scipio is regarded as one of the best military commanders and strategists of all time whose most famous achievement was defeating the Carthaginian general Hannibal at the Battle of Zama in 202 BC.

Silius Italicus: De Secundo Bello Punico Poema
Mars
The Roman god of war is being drawn by two red horses on a four-wheeled chariot, which he appears to float above rather than stand on. Sword in hand, Mars is dressed in stylized armor with a cape and carries and eight-sided Grecian shield. A strong fortress with many strong towers is perched on a hill in the distance amidst a splendid landscape.
The standard pattern of a Roman army camps served both a defensive and a religious purpose: the commanderβs headquarters at the center of the camp was also where auspices were taken and sacrifices made. It was believed that victory was dependent on a combination of personal and collective virtus or βmanly virtueβ and divine will; it was the sign of a special relationship with the gods, especially Mars.

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