Prayerbook of Georg II of Waldburg

Prayerbook of Georg II of Waldburg – Deuschle & Stemmle – Cod. brev. 12 – Württembergische Landesbibliothek (Stuttgart, Germany)

Swabia (Germany) — 1476

One of the few surviving illuminated German language prayer books: a magnificent work adorned with 46 beautiful miniatures of exceptional quality for the imperial steward and his wife

  1. Georg II von Waldburg (1430–82) was a Swabian nobleman and imperial steward

  2. This splendid prayerbook was made for him and his wife Countess Anna von Kirchberg (ca. 1436–84)

  3. The comprehensive illumination of the manuscript includes images inter alia of the Arma Christi

Prayerbook of Georg II of Waldburg

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Formerly 2,980  
Special Offer until 06/30/2024 (like new) 1,299  
  1. Description
  2. Detail Picture
  3. Single Page
  4. Facsimile Editions (1)
Description
Prayerbook of Georg II of Waldburg

The Prayerbook of Georg II of Waldburg is one of the few richly decorated German language prayer books and was created in 1476 for the Swabian nobleman Georg II von Waldburg (1430-82) and his wife, Countess Anna von Kirchberg (ca. 1436-84). Like many other members of the House of Waldburg, Georg II was a Truchsess, a seneschal or steward ruling over Swabia during the absence of the Holy Roman Emperor. There are multiple depictions of him, each in different dress, as a praying patron in the 46 stunning miniatures richly decorated with gold and silver. In keeping with late medieval lay piety, which focused on the suffering of Christ, the Arma Christi is a recurring pictorial theme throughout the manuscript. Particularly extraordinary is a unique hidden calendar in the Litany of All Saints, which, together with its precious illumination, makes the manuscript a rare treasure of book illumination.

Prayer Book of Georg II of Waldburg

Little is known of the origins of this manuscript and its history of ownership can only be traced back to the time before the year 1800. All that is certain is the patron of the manuscript, Georg II von Waldburg (1430-82), and the year it was completed, 1476, which is dated on the first page with his coat-of-arms. The text itself does not offer much in the way of clues as to where the manuscript originated, however a hidden calendar in the manuscript and other clues do.
It is not known how the manuscript came to Stuttgart or Ludwigsburg, where Duke Karl Eugen von Württemberg founded the Ducal Library in 1765. Thus, the entire period from 1476 to the late 18th-century remains a mystery. The original binding of the manuscript was replaced sometime in the first half of the 19th century with the current binding, whose simple appearance belies the value and significance of its contents: a masterfully illuminated, uniquely designed German prayerbook from the beginning of the Northern Renaissance.

A Splendid Codex for a Noble Knight

Aside from the depictions of religious figures and symbols, the Arma Christi included, Waldburg is depicted numerous times, usually kneeling before a holy figure, but also appears once as his namesake: St. George slaying a dragon. Altogether, 46 mostly full-page miniatures, seven historiated initials, and dozens of three- and four-line initials in bright colors and gold. The scribe used a Gothic Textura script that usually appears in liturgical manuscripts. It is therefore sometimes called “missal script” because it has predominantly shaped the image of missals from this period. The rubricator and illuminator then filled in the remaining spaces with headings, decorative initials, flowering tendrils, and miniatures as far as was possible.

The “Hidden Calendar”

Unlike most prayer books, this manuscript has no calendar at the beginning of the codex, but the Litany of All Saints beginning on fol. 64r has an internal structure that is made up of chronological blocks arranged according to the church year, which is completely unique for the Litany. The compiler was not aware of the appropriate number of saints nor their proper placement in the litany but appears to have used a calendar to select the saints without any serious theological considerations. This surely could not have been the result of a monastic scriptorium, whose experience compilers would never make such mistakes. Perhaps the selection of saints was made by Waldburg himself, because this amateurishness is inconsistent the quality of both the calligraphy and the illumination. However, similar chronological lists of saints point to a tradition from the old diocese of nearby Constance.

Clues in Local Saints

There is further evidence of the manuscript’s geographic providence: among the no less than 178 saints listed in the manuscript, which are divided into apostles, martyrs, confessors, and women is Saint Magnus of Füssen, the so-called Apostle of the Allgäu. He was strongly venerated in the countryside around Waldsee, where Georg II resided, which thus points to the Allgäu region of Upper Swabia. This is also attested to by the fact that Magnus was patron of the nearby Premonstratensian monastery at Schussenried. Other local saints include Bishop Gebhard of Constance, Bishop Narcissus of Augsburg, St. Einsiedler Meinrad, and the rarely mentioned Ulrich von Zell. As such the work must have emerged in an area where the old dioceses of Constance and Augsburg overlap. A likely candidate would be an atelier or court artist in the town of Kempten, the oldest urban settlement in Germany, as the possible place of manufacture.

Codicology

Alternative Titles
Waldburg-Gebetbuch
Gebetbuch Georgs II. von Waldburg
Size / Format
122 pages / 17.5 × 13.2 cm
Origin
Germany
Date
1476
Style
Language
Script
Gothic Textura
Illustrations
46 richly adorned and partly gilded and silvered miniatures, seven historiated initials, countless decorated initials
Patron
Georg II of Waldburg and his wife Anna

Available facsimile editions:
Prayerbook of Georg II of Waldburg – Deuschle & Stemmle – Cod. brev. 12 – Württembergische Landesbibliothek (Stuttgart, Germany)
Deuschle & Stemmle – Darmstadt, 1986
Limited Edition: 600 copies
Detail Picture

Prayerbook of Georg II of Waldburg

Christ’s Coat of Arms

Flanked by Jesus bearing the wounds of the Crucifixion and the Virgin Mary, the crest of this shield consists of a golden helmet with the Crown of Thorns and the anointing Hand of God. It bears the Arma Christi or Instruments of the Passion, which are presented here as heraldic devices numbering nearly 20 in all: True Cross, pillar, rooster, whip, reed, Holy Lance, Holy Sponge, dice, Veil of Veronica, Peter’s sword, hammer and nails, burial shroud and tomb, vessel of myrrh, and the heads of various figures of the Passion as well as the hand of Pontius Pilate.

Prayerbook of Georg II of Waldburg – Deuschle & Stemmle – Cod. brev. 12 – Württembergische Landesbibliothek (Stuttgart, Germany)
Single Page

Prayerbook of Georg II of Waldburg

Patron Portrait – Intercessory Prayer

Georg II von Waldburg appears several times throughout the manuscript and can be identified by his coat of arms – three black lions on a field of gold. Almost always depicted kneeling in prayer and bareheaded with curly brown hair, he is sometimes fashionably dressed as a courtier in all black with red shoes, sometimes clad in a golden suit of armor with a red sword at his hip. This miniature stresses the role of the Virgin Mary in Catholic theology as intercessor on behalf of those who pray to her.

Although in an open field, Georg has had the foresight to bring his own kneeler with him as though he were in church praying before an altar. The Virgin Mary looks to her son, who in turn kneels on a cloud before God the Father appearing as a crowned king with a scepter and globus cruciger. A white dove representing the Holy Spirit is perched next to God’s ear as though it were giving counsel, and grisaille angels can be seen in the blue background of Heaven, which is separated from Earth by a rainbow.

Prayerbook of Georg II of Waldburg – Deuschle & Stemmle – Cod. brev. 12 – Württembergische Landesbibliothek (Stuttgart, Germany)
Facsimile Editions

#1 Waldburg-Gebetbuch

Deuschle & Stemmle – Darmstadt, 1986

Publisher: Deuschle & Stemmle – Darmstadt, 1986
Limited Edition: 600 copies
Binding: Tooled leather binding
Commentary: 1 volume by Hansmartin Decker-Hauff, Wolfgang Irtenkauf and Gerhard Konzelmann
1 volume: Exact reproduction of the original document (extent, color and size) Reproduction of the entire original document as detailed as possible (scope, format, colors). The binding may not correspond to the original or current document binding.
Facsimile Copy Available!
Formerly 2,980  
Special Offer until 06/30/2024 (like new) 1,299  
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