Psalter-Hours of Bernat Martorell

Psalter-Hours of Bernat Martorell – Editorial Base – MS C6-A398 – Arxiu Històric de la Ciutat de Barcelona (Barcelona, Spain)

Barcelona (Spain) — Ca. 1430–1435

A psalter between liturgy and private devotion: Three radiant full-page miniatures, eight narrative initials, and rare Easter calculations united in Bernat Martorell’s exquisite Catalan masterpiece

  1. Created in Barcelona around 1430–1435 as an exceptional liturgical psalter and richly appointed book of private devotion

  2. With three radiant full-page miniatures, eight historiated initials, and hundreds of intricate pen-flourished initials

  3. Complete psalter with the Hours of the Virgin, Office of the Dead, rare Easter calculations, and extensive indices

Psalter-Hours of Bernat Martorell

  1. Description
  2. Facsimile Editions (1)
Description
Psalter-Hours of Bernat Martorell

Created in Barcelona around 1430–1435, the Psalter-Hours of Bernat Martorell is not an ordinary book of hours but an exceptionally comprehensive volume for liturgical and private devotion. It combines the complete Latin Psalter with canticles, a litany, the Hours of the Virgin, the Office of the Dead, Passion texts, Gospel passages, rare aids for calculating Easter, and extensive indices. Three radiant full-page miniatures—the Crucifixion, the Annunciation, and Death as a skeleton before an open grave—define its pictorial program. Eight historiated initials and hundreds of intricate pen-flourished initials enrich the text. Bernat Martorell painted the principal miniatures and the magnificent opening with King David, while an associate contributed further initials. The union of a complete Psalter, varied devotional texts, and Catalan International Gothic painting makes the manuscript one of fifteenth-century Barcelona’s most compelling prayer books.

A Psalter for Liturgy and Private Devotion

Created in Barcelona around 1430–1435, the Psalter-Hours of Bernat Martorell combines two types of book more often encountered separately. At its center is the complete Latin Psalter, accompanied by Old and New Testament canticles, prayers, a litany, the Hours of the Virgin, and the Office of the Dead. The result is an unusually comprehensive book for liturgical order and personal devotion.

Catalan rubrics provide practical guidance, while indices and an apparatus for calculating Easter facilitate use. Even rarely included texts, such as a list of invitatory psalms for Matins, were incorporated. The volume therefore does more than collect prayers: it structures time, worship, and daily spiritual practice.

Three Images of Redemption and Mortality

Three full-page miniatures establish the manuscript’s principal spiritual themes. The Crucifixion opens the Psalter and presents Christ’s sacrifice as the key to prayer. The Annunciation introduces the Hours of the Virgin: Gabriel enters a carefully constructed interior whose light and quiet order evoke the mystery of the Incarnation.

At the beginning of the Office of the Dead, Death appears as a skeleton before an open grave. The arresting image recalls human mortality and the need to pray for the departed. Crucifixion, Incarnation, and death thus form a concentrated meditation on salvation, hope, and the end of earthly life.

King David and the Language of the Psalms

The Psalter opens with a magnificent initial B of “Beatus vir.” Within it, King David appears as musician and traditional author of the Psalms. A richly ornamented border surrounds the page, and a black wolf on a gold ground occupies the lower margin. This heraldic motif has been associated with the wealthy Llobera family of Barcelona.

Seven further historiated initials introduce selected psalms. Their images often draw directly on individual verses, translating poetic language into figures, gestures, and marginal scenes. Hundreds of pen-flourished initials, with expansive spirals and tightly clustered blossoms, lend even the less prominent pages exceptional calligraphic vitality and elegance.

Bernat Martorell and His Workshop

Bernat Martorell was among the leading Catalan artists of the fifteenth century. His painting belongs to the International Gothic style and combines soft color, refined figures, carefully constructed settings, and a marked interest in light. In the Psalter-Hours, he is credited with the three full-page miniatures, the opening with David, and major elements of the decoration.

Another artist executed several historiated initials, and the two collaborated on one of them. The manuscript therefore offers a rare view of collaboration within a distinguished Barcelona workshop, while preserving a remarkably coherent visual character.

An Exceptionally Complete Devotional Book

The manuscript was evidently made for a person of high rank and wealth. Its extensive contents, fine parchment, and elaborate illumination unite practical usefulness with representative splendor. Yet it is more than a luxury object: calendar, psalms, offices, prayers, Gospel texts, and indices made it a versatile companion for religious life.

This unusual richness distinguishes it from an ordinary book of hours. A complete Psalter, liturgical aids, and outstanding Catalan illumination form a unified work in which prayer, the ordering of time, and visual meditation are brought together with exceptional refinement.

Codicology

Alternative Titles
Saltiri Liturgic i Devocionari
Psalter-Stundenbuch von Bernat Martorell
Book of Hours of Bernat Martorell
Stundenbuch von Bernat Martorell
Liturgical and Devotional Psalter
Size / Format
452 pages / 19.7 × 13.0 cm
Origin
Spain
Date
Ca. 1430–1435
Style
Script
Gothic Textura
Illustrations
3 full-page miniatures, 8 historiated initials, and hundreds of pen-flourish initials
Content
Calendar, biblical psalms, Old and New Testament canticles, prayers, litany, Hours of the Virgin, Office of the Dead, prayers, Passion narratives, Gospel sequences, Matins invitatories, indices
Artist / School
Previous Owners
Josep Mestres i Gramatxes
Apeles Mestres

Available facsimile editions:
Psalter-Hours of Bernat Martorell – Editorial Base – MS C6-A398 – Arxiu Històric de la Ciutat de Barcelona (Barcelona, Spain)
Limited Edition: 389 copies
Facsimile Editions

#1 Saltiri Liturgic i Devocionari

Limited Edition: 389 copies
Binding: Red and green leather binding with decorative gold tooling and two clasps. The facsimile comes together with the two commentary volumes, which contain the transcription and translation, in a luxurious wooden box with a metal grille inlaid into the lid and matching clasp.
Commentary: 3 volumes by Anna Gudayol, Gabriel Seguí i Trobat, Sebastià Riera i Viader, Manuel Rovira i Solà, Rafael Cornudella and Guadaira Macías
Language: Catalan

Features a commentary, a transcription and translation of the original text.
1 volume: Exact reproduction of the original document (extent, color and size) Reproduction of the entire original document as detailed as possible (scope, format, colors). The binding may not correspond to the original or current document binding.
Facsimile Copy Available!
Price Category: €
(under 1,000€)
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