Aesopus - Vita et Fabulae
The so-called Ulm Aesop, published around 1476 by the Ulm humanist and translator Heinrich Steinhöwel, is one of the most important editions of Aesop's ancient fables and, with its more than 190 masterly coloured woodcuts, was stylistically influential for subsequent editions and other works. This early print from the workshop of Johann Zainer transports the entertaining and educational animal fables of the author, who was active in the 6th century BC, to the time of the emerging humanism in the German-speaking area. In the high-quality woodcuts by the famous master of the choir stalls in Ulm Minster, Jörg Syrlin the Elder, the ancient texts are brought closer to the reader, printed bilingually in Latin and German and supplemented by an enjoyable biography of Aesop. The (art) historically important codex is now kept in the Otto SchÀfer Museum in Schweinfurt.
Aesopus - Vita et Fabulae
The so-called Ulm Aesop belongs among the most significant specimens of the fables by the ancient author Aesop in the history of book art. Published ca. 1476 by the Ulm humanist and translator Heinrich Steinhöwel, the book contains 190+ colored woodcuts across 550 pages. These are ascribed to Jörg Syrlin d. Ă., the famous Master of the Choir Stalls in the Ulm Minster. The Ulm Aesop was printed by Johann Zainer in the Ulmer Offizin and contains all of the Aesopâs Fables that were known at that time along with an entertaining biography of Aesop.
The Trendsetting Aesop Specimen
The entertaining and instructive animal fables by Aesop (ca. 620â560 B.C.E) still have meaning today. They founded the literary genre of moralizing fables. The stories have enjoyed great popularity and were handed down in numerous manuscripts and translations from Greek since antiquity and throughout the Middle Ages. With the invention of the printing press, Aesopâs Fables enjoyed a renewed heyday. The moralizing stories were illustrated with woodcuts in many editions. The most famous of these editions is the Ulm Aesop. The humanist and translator Heinrich Steinhöwel (1412â1482/3) published it in 1476 with Latin text and the German translation. In this way, he made the fables comprehensible for everyone. In his edition of Aesop, Steinhöwel assembled all of the known fables by Aesop at that time and an entertaining biography of Aesop, the author of the moralizing stories. Additionally, Steinhöwel attached a few tales by Poccio Bracciolini, a famous Italian Renaissance humanist, to his Aesop edition. The Ulm Aesop, printed by Johann Zainer, was style-forming for the following epochs. The Ulm Aesop was reprinted across all of Europe, though the impressive woodcuts of the original specimen from Ulm remain unparalleled.
Impressive Illustrations by a Great Master
Alongside the text by Heinrich Steinhöwel, the Ulm Aesop is impressive above all because of its artistic design. This is ascribed to Jörg Syrlin d. Ă. (ca. 1425â1491), the master of the Ulm Minsterâs famous choir stalls. Over 190 woodcuts accompany the text. Both the plasticity and spatiality of the scenery as well as the design of the figures depicted are stylistically outstanding. Both animals as well as people are drawn with expressive facial expressions and gestures, which wonderfully render the content of the fables in gorgeous pictures. The various kinds of animals are additionally remarkable in their naturalistic depiction. In addition to the woodcuts, the text is designed with diverse colored initials. Aesopâs Fables, meant to be understood like parables, have lost nothing of their impressive and entertaining nature. Just as in antiquity, the Middle Ages, or the Renaissance, these tales, e.g. of the fox and the grapes or of the amorous lions, are a great pleasure both as entertaining literature as well as useful reading. The moralizing tales are crowned with colorful woodcuts by Jörg Syrlin in the famous specimen of the Ulm Aesop.
Codicology
- Alternative Titles
- Esopo - Vita e Favole
Ulmer Aesop
Aesop's Fables
Aesopus
Vita et Fabulae
Fables by Aesop of ca. 1476 - Size / Format
- 550 pages / 30.5 Ă 22.5 cm
- Origin
- Germany
- Date
- 1476
- Epochs
- Style
- Genre
- Illustrations
- 191 colored woodcut illustrations
- Artist / School
- Aesop (620â564 BC) (author)
Poccio Bracciolini (1380â1459) (author)
Johannes Zainer (printer)
Jörg Syrlin the Older (woodcuts)
Aesopus - Vita et Fabulae
The Man and the Lion
This colorful woodcut and the fable it illustrates are concerned with the difference between perception and reality as well as the importance of considering the facts before forming an opinion. Framed on the right is the artist's depiction of a heroic and fashionably-dressed man pouncing upon the lion. The reality of when a lion meets an unarmed man is shown on the ground to the left: a much humbler man being mauled as he tries to defend himself.
Aesopus - Vita et Fabulae
The Man and the Lion
In this fable, the moral of which is to examine the source of evidence before accepting it, man and lion debate which of them is more powerful. They stand before a painting showing a man wearing red and green seizing a lion by the jaws, which the man points to as evidence for his superiority.
The lion retorts that a man painted the scene, and that if a lion had, then it would be different. To prove his point, the lion pounces on the man, who has foolishly left his shield hanging on a bough in the background. This popular fable was later adapted by Geoffrey Chaucer in the âWife of Bath,â who in defense of her sex demanded âWho painted the lion, tell me who?â
#1 Esopo - Vita e Favole
Languages: German or Italian
(under 1,000âŹ)
#2 Aesopus - Vita et Fabulae
Language: German
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