Petrarch's Horace

Petrarch's Horace – Istituto Poligrafico e Zecca dello Stato – Plut. 34, 1 – Biblioteca Medicea Laurenziana (Florence, Italy)

Italy — 10–11th century

Cultural transfer from Roman antiquity to the beginning of the Renaissance: the personal copy of Horace's Odes from the library of his ardent admirer Petrarch

  1. The early Renaissance scholar Francesco Petrarch (1304-74) acquired this manuscript in 1347

  2. It was created during the 10th or 11th centuries when Horace was at the height of his popularity

  3. Petrarch imitated Horace’s style and even wrote the dead Roman poet a letter with an ode

Petrarch's Horace

  1. Description
  2. Facsimile Editions (1)
Description
Petrarch's Horace

Horace’s Odes have been some of the most popular and imitated Roman texts throughout the last 2,000 years, including during the Middle Ages. This manuscript was created during either the 10th or 11th centuries and is famous for being owned by no less than the great Italian humanist Petrarch, who would become a great imitator of Horace’s style and even wrote a letter to Horace in the form of an ode. Thus, this manuscript played a critical role in the birth of the Italian Renaissance by influencing one of its earliest and most important representatives.

Petrarch's Horace

The Odes by Quintus Horatius Flaccus (65-8 BC), commonly known as Horace, are some of the most quoted and influential texts from antiquity. He is also the author of famous phrases like Carpe diem / “seize the day!”, Nunc est bibendum / “Now is the time to drink!”, and Dulce et decorum est pro patria mori / “It is sweet and honorable to die for one's country”. An ode is a type of lyrical poetry glorifying an event or individual, describing nature intellectually as well as emotionally. Divided into four books, the Horatian odes imitated the style of ancient Greek poets like Alcaeus and Anacreon and have in turn been imitated by other poets from Late Antiquity up to the modern period.

Petrarch’s Personal Copy

The Odes enjoyed a revival during the Carolingian Renaissance and most literate people in the West we familiar with his works by the mid-9th century and they were particularly popular during the 10th and 11th centuries, when this manuscript was created, and again during the Late Middle Ages. What makes this manuscript especially precious is the identity of one of its former owners: the famous Italian humanist Francesco Petrarch (1304-74), who acquired the work in 1347. Petrarch is a key figure in the imitation of Horace in accentual meters and also borrowed from Horace when composing Italian sonnets. His verse letters in Latin were modelled on the Epistles and he wrote a letter to Horace in the form of an ode.

Codicology

Alternative Titles
Horatii Odae Seu potius opera omnia
Orazio Laurenziano
Horaz: Oden
Size / Format
282 pages / 26.0 × 17.5 cm
Origin
Italy
Date
10–11th century
Style
Language
Illustrations
Numerous red initals
Artist / School
Previous Owners
Petrarch

Available facsimile editions:
Petrarch's Horace – Istituto Poligrafico e Zecca dello Stato – Plut. 34, 1 – Biblioteca Medicea Laurenziana (Florence, Italy)
Typis Regiae Officinae Polygraphicae – Rome, 1933
You might also be interested in:
Petrarca: Trionfi - Rome Codex – Istituto dell'Enciclopedia Italiana - Treccani – 55.K.10 – Biblioteca dell'Accademia Nazionale dei Lincei e Corsiniana (Rome, Italy)
Petrarca: Trionfi - Rome Codex
Florence (Italy) – Second half of the 15th century

Grandiose art to embellish grandiose art: an accurately and filigree illuminated masterpiece of Renaissance illumination in honor of the most famous poem of the great Francesco Petrarch

Experience More
Ambrosian Iliad – Ediciones Grial – Cod. F. 205 P. Inf. – Biblioteca Ambrosiana (Milan, Italy)
Ambrosian Iliad
Alexandria (Egypt) – Around 500

58 epic images of fierce battles and impressive architecture: the only surviving late antique miniatures of Homer's famous Iliad, created around 500 in Alexandria, Egypt

Experience More
Codex Laurentianus Mediceus – Typis Regiae Officinae Polygraphicae – Plut. 39, 1 – Biblioteca Medicea Laurenziana (Florence, Italy)
Codex Laurentianus Mediceus
Italy – Mid 5th century

No luxury manuscript, but committed to the beauty of the pure text: Virgil's major works in the form of about of the year 450, preserved for study purposes and annotated with scholarly notes by humanists

Experience More
Moralized Ovid – G. Braziller – F.4.34 – Magdalene College Library (Cambridge, United Kingdom)
Moralized Ovid
England – 1470–1490

Highly controversial, but a testimony to the changing world view in the late Middle Ages: the only surviving copy of the first English translation of Ovid's epic Methamorphoses

Experience More
Ambrosian Virgil of Francesco Petrarca – Hoepli – S.P. 10/27 – Biblioteca Ambrosiana (Milan, Italy)
Ambrosian Virgil of Francesco Petrarca
Italy – Ca. 1300–1325

Petrarch's personal copy of Virgil from his private library: stolen shortly after its completion, rediscovered in 1338, and finally provided with the famous allegorical frontispiece by Simone Martini

Experience More
Terence's Comedies – Plon-Nourrit et cie – Ms. 664 – Bibliothèque de l'Arsenal (Paris, France)
Terence's Comedies
France – 15th century

Stylish Latin from the comedies of Terence at the time of the Roman Republic: a luxurious codex made for Duke Louis de Guyenne, the third son of King Charles VI of France

Experience More
Blog articles worth reading
Filter selection
Publisher