Petrarch's Horace

Petrarch's Horace – Istituto Poligrafico e Zecca dello Stato – Plut. 34, 1 – Biblioteca Medicea Laurenziana (Florence, Italy)

Italy — 10–11th century

Cultural transfer from Roman antiquity to the beginning of the Renaissance: the personal copy of Horace's Odes from the library of his ardent admirer Petrarch

  1. The early Renaissance scholar Francesco Petrarch (1304-74) acquired this manuscript in 1347

  2. It was created during the 10th or 11th centuries when Horace was at the height of his popularity

  3. Petrarch imitated Horace’s style and even wrote the dead Roman poet a letter with an ode

Petrarch's Horace

  1. Description
  2. Facsimile Editions (1)
Description
Petrarch's Horace

Horace’s Odes have been some of the most popular and imitated Roman texts throughout the last 2,000 years, including during the Middle Ages. This manuscript was created during either the 10th or 11th centuries and is famous for being owned by no less than the great Italian humanist Petrarch, who would become a great imitator of Horace’s style and even wrote a letter to Horace in the form of an ode. Thus, this manuscript played a critical role in the birth of the Italian Renaissance by influencing one of its earliest and most important representatives.

Petrarch's Horace

The Odes by Quintus Horatius Flaccus (65-8 BC), commonly known as Horace, are some of the most quoted and influential texts from antiquity. He is also the author of famous phrases like Carpe diem / “seize the day!”, Nunc est bibendum / “Now is the time to drink!”, and Dulce et decorum est pro patria mori / “It is sweet and honorable to die for one's country”. An ode is a type of lyrical poetry glorifying an event or individual, describing nature intellectually as well as emotionally. Divided into four books, the Horatian odes imitated the style of ancient Greek poets like Alcaeus and Anacreon and have in turn been imitated by other poets from Late Antiquity up to the modern period.

Petrarch’s Personal Copy

The Odes enjoyed a revival during the Carolingian Renaissance and most literate people in the West we familiar with his works by the mid-9th century and they were particularly popular during the 10th and 11th centuries, when this manuscript was created, and again during the Late Middle Ages. What makes this manuscript especially precious is the identity of one of its former owners: the famous Italian humanist Francesco Petrarch (1304-74), who acquired the work in 1347. Petrarch is a key figure in the imitation of Horace in accentual meters and also borrowed from Horace when composing Italian sonnets. His verse letters in Latin were modelled on the Epistles and he wrote a letter to Horace in the form of an ode.

Codicology

Alternative Titles
Horatii Odae Seu potius opera omnia
Orazio Laurenziano
Horaz: Oden
Size / Format
282 pages / 26.0 × 17.5 cm
Origin
Italy
Date
10–11th century
Style
Language
Illustrations
Numerous red initals
Artist / School
Previous Owners
Petrarch

Available facsimile editions:
Petrarch's Horace – Istituto Poligrafico e Zecca dello Stato – Plut. 34, 1 – Biblioteca Medicea Laurenziana (Florence, Italy)
Typis Regiae Officinae Polygraphicae – Rome, 1933
Facsimile Editions

#1 Orazio. Orazio Laurenziano

Publisher: Typis Regiae Officinae Polygraphicae – Rome, 1933
1 volume: Exact reproduction of the original document (extent, color and size) Reproduction of the entire original document as detailed as possible (scope, format, colors). The binding may not correspond to the original or current document binding.
Facsimile Copy Available!
Price Category: €€
(1,000€ - 3,000€)
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