Prayer Book of Claude de France
(1,000β¬ - 3,000β¬)
The Prayer Book of Claude de France is an exuberantly decorated codex in the tiny format of only 49 by 69 millimeters. It was created around 1517 in Tours and was made by the so-called Master of Claude de France, her personal favorite painter. The work became famous for its unbelievable wealth of images, made up of miniatures that are as artistic as they are rich in detail. On 104 pages, they show 132 biblical scenes from the lives of Christ and Mary, as well as the Apostles and other Saints. In doing so, the gifted illuminator took his cue from the Italian paintings in the collection of the French King FranΓ§oise I, Claude's husband, who owned numerous works by renowned artists such as Michelangelo, Titian and Raphael. The small, gold-decorated pictorial works form an ornate frame for the short prayer texts that fade into the background, yet their calligraphic quality is also remarkable. The application of the French queen's coat of arms and personal emblems also emphasizes the private character of the work.
Prayer Book of Claude de France
Around 1517, a small, enchanting picture book emerged at the court of the French King, that was famous due to its format and its unusual richness of colored pictorial decoration. This was the Prayer Book of Queen Claude de France, which was completed by her personal favorite painter. Named the Master of Claude de France after this work, he painted 132 scenes on 104 pages from the New Testament. The small format pictures are especially captivating because of the fine manner of painting and the depiction of the queenβs personal symbols. The pictures are inspired from the art of the painters of Italy, especially Leonardo de Vinci.
A Coronation Present for the Art Lover
Claude de France, daughter of Anne de Bretagne and Louis XII, came from a family that was known in medieval France as lovers and patrons of the fine arts. She grew up surrounded by valuable paintings and manuscripts. In 1514, she married the man who later became King Francois I, who was likewise known as a patron of the arts and who kept in touch with the Italian Renaissance man Leonardo da Vinci. At her coronation in 1517, Claude wished for a personal gift, a small prayer book that she could carry with her. Her favorite painter designed the work and employed the Queenβs personal coat-of-arms three times, which are highlighted with golden crowns on two of the depictions.
An Amazing Richness of Illustration in a Small Format
The Miniatures of the prayer book measure only 69 x 49 millimeters. In spite of this small format, the Master of Claude de France succeeds in reviving biblical scenes from the life of Jesus Christ, the Virgin Mary, the apostles, and numerous other saints. The book consists almost entirely of pictures, which mostly fill whole pages and sometimes double pages as well. The textual part of the work is very limited. Sometimes the textual passages were broken up by incised pictorial scenes that depicted the portrayed events and made the gaily colored booklet even more lively.
A Famous Template and an Uncertain History
The history of the French prayer book is no longer explicable today. The Viennese book dealer H.P. Kraus acquired the text after the Second World War and sold it at the end of the 1970βs to the New York art collector Alexandre P. Rosenburg. His widow bequeathed the work to the Pierpont Morgan Library 21 years later. The earlier stages of the prayer book are not known. What is known is that Claudeβs husband Francois I was a great lover of Italian painting. He acquired works from Michelangelo, Titian, and Raffael as well as sending for his friend Leonardo da Vinci at his famous Renaissance court of Amboise. His popular depiction of the βVirgin of the Rocksβ had a direct influence on the Master of Claude de France. He depicted the queen in her prayer book in a very similar fashion.
Codicology
- Alternative Titles
- Gebetbuch der Claude de France
Livre de prières de Claude de France - Size / Format
- 104 pages / 6.9 Γ 4.9 cm
- Origin
- France
- Date
- Ca. 1517
- Epochs
- Style
- Genre
- Language
- Script
- Littera humanistica rotunda
- Illustrations
- 132 scenes on 104 pages
- Content
- Liturgy of the Hours
- Patron
- Queen Claude de France (1499β1524)
- Artist / School
- Master of Claude de France
- Previous Owners
- H. P. Kraus (1907β88)
Alexandre P. Rosenberg (ca. 1850β1913)
Prayer Book of Claude de France
Martyrdom of St. Mark
Mark the Evangelist was the author of one of the Gospels, founder of the Church of Alexandria, and his symbol β the winged lion β has been famously adopted by the city of Venice. In the year AD 68, the idolatrous citizens of Alexandria revolted against his attempts to Christianize them, dragging him through the city until he was dead. His relics remained there until they were stolen by two Venetian merchants in 828 and thereafter became the focal point of St. Markβs Basilica.

Prayer Book of Claude de France
Death of St. Jerome
Despite the handheld size of the manuscript, the Master of Claude de France created a masterpiece of illumination for Queen Claudeβs personal use. This scene depicts St. Jerome as he is given last rites shortly before his death on September 30th, 420 near Bethlehem, and is presented in an interior space with a Renaissance-style doorway.
Propped up on some hay, St. Jerome is thin and grey, naked to the waist and wrapped in a blanket with a faint halo around his head. Two monks kneel beside him, the bearded monk is about to give him the Eucharist as a young hooded monk holds a prayer book. Behind them, a group of dower monks pray among themselves as the man responsible for the Vulgate prepares to meet his maker.

#1 Gebetbuch der Claude de France
Languages: English, German
(1,000β¬ - 3,000β¬)
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