Codex Rustici

Codex Rustici – Leo S. Olschki – Biblioteca del Seminario Arcivescovile Maggiore (Florence, Italy)

Florence (Italy) — ca. 1444

Florence in the Middle Ages: The fascinating travelogue of the Florentine goldsmith Marco di Bartolomeo Rustici with wonderful watercolors of his hometown as an important testimony to its medieval appearance

  1. Florentine Goldsmith Marco di Bartolomeo Rustici (ca. 1393–1457) is the author of this impressive work

  2. Rustici famously created goblets, crosses, candlesticks, figures, and other devotional objects

  3. The travelogue about a pilgrimage to Jerusalem is famous for its watercolors of Florence

Codex Rustici

  1. Description
  2. Facsimile Editions (1)
Description
Codex Rustici

The Codex Rustici, made by and named after the Florentine goldsmith Marco di Bartolomeo Rustici (ca. 1393–1457), is the account of a pilgrimage to the Holy Land enriched with numerous illustrative watercolor and ink drawings. Of particular importance are the many detailed illustrations of religious and public buildings in Florence, especially the churches, and the bird's-eye view of the city. The drawings are of inestimable value for the reconstruction of the historical appearance of the city of Florence and, apart from that, are an aesthetic feast for the eyes.

Codex Rustici

Originally titled Dimostrazione dell'andata del Santo Sepolcro or “Demonstration of the Progress of the Holy Sepulcher”, this codex is also named after its author, the Florentine goldsmith Marco di Bartolomeo Rustici (ca. 1393–1457). Rustici is recorded as having produced some wonderful commissions like goblets, crosses, candlesticks, figures, and other devotional objects for various monastic institutions. Although principally a description of a pilgrimage to the Holy Land, the manuscript is most famous for its watercolors of Florence’s churches, monasteries, hospitals, etc. Precise information about both the author and the manuscript have proved to be elusive, but the pilgrimage and subsequent text are dated to somewhere between 1425 and 1450. The work is divided into three books, the first describes Florence and the surrounding territory, the second traces his journey down the Italian Peninsula, along the Grecian coast, and across the Aegean Sea to Cyprus, and the third then covers the journey to Africa, Egypt, Mount Sinai, Jerusalem, Beirut, Damascus, Samaria, and Galilee. Rustic not only wrote but illustrated the original codex, which provides a wonderfully detailed glimpse of Italy and the Eastern Mediterranean world in the 15th century.

Codicology

Alternative Titles
Codice Rustici: dimostrazione dell'andata o viaggio al Santo Sepolcro e al Monte Sinai di Marco di Bartolomeo Rustici
Size / Format
568 pages / 41.8 × 28.6 cm
Origin
Italy
Date
ca. 1444
Language
Script
Mercantesca
Illustrations
More then 100 colored pen and ink drawings
Content
Description of a pilgrimage to the Holy Land
Artist / School

Available facsimile editions:
Codex Rustici – Leo S. Olschki – Biblioteca del Seminario Arcivescovile Maggiore (Florence, Italy)
Leo S. Olschki – Florence, 2016
Facsimile Editions

#1 Codice Rustici

Leo S. Olschki – Florence, 2016

Publisher: Leo S. Olschki – Florence, 2016
Binding: Brown leather binding with gold tooling. During his visit to Florence in November 2015, Pope Francis received the editio princeps, with both volumes bound in white leather bearing the papal arms. The commentary contains essays edited by Elena Gurrieri and a critical edition by Kathleen Olive and Nerida Newbigin. The section ‘The Rustici Codex: a journey through the history, art and church of 15th-century Florence’ includes: Cristina Acidini on the pious pictorial narrative of the first thirty folios; Franco Cardini on the journey from Florence to Florence via Jerusalem; Francesco Gurrieri on the city in Rustici's time, the boundaries of the urbs perfecta and Brunelleschi's building sites; Francesco Salvestrini on church and city in the early Quattrocento; Timothy Verdon on the image of the Church; Kathleen Olive on the search for Marco di Bartolomeo Rustici; Nerida Newbigin on his intellectual mapping of the world; Simone Martini on restoration; Alice Cavinato's codicological description of the Florence Biblioteca del Seminario Arcivescovile Maggiore copy; and Kathleen Olive and Nerida Newbigin's description of the Florence Biblioteca Nazionale Centrale copy. Cristina Acidini and Elena Gurrieri address the iconography through image captions and an illustration list. Kathleen Olive and Nerida Newbigin's critical edition contains transcription, edition, annotations and published and unpublished sources. The text Dimostrazione dell'andata o viaggio al Santo Sepolcro e al monte Sinai di Marco di Bartolomeo Rustici contains the first and second books of the Holy Sepulchre and Mount Sinai, and the account of the holy journey to Jerusalem, Mount Sinai and Arabia. The facsimile and commentary volume come in an elegant slipcase.
Commentary: 1 volume by Cristina Acidini, Franco Cardini, Alice Cavinato, Francesco Gurrieri, Simone Martini, Nerida Newbigin, Kathleen Olive, Francesco Salvestrini, and Timothy Verdon
Language: Italian

The commentary volume includes not only a critical edition of the text, but also various scientific articles on the context of the manuscript’s creation, its history, and its iconography, including an extensive section of illustrations.
Partial facsimile of the original “Codex Rustici”. The reproduction may cover only part of the original or differ from it in format, appearance or feel. The manuscript leaves are printed in full color at original size on a black background.
Facsimile Copy Available!
Price Category: €€
(1,000€ - 3,000€)
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