Compost et Kalendrier des Bergères

Compost et Kalendrier des Bergères – Vicent Garcia Editores – M-10 – Biblioteca Complutense (Madrid, Spain)

Paris (France) — August 17, 1499

Religious and secular texts for a female audience in a beautifully illustrated incunable: Guy Marchant's popular "Shepherd's Calendar" with over 80 impressive prints

  1. Guy Marchant (active 1483–1505/06) was a prolific Parisian publisher responsible for over 200 printed works

  2. His coveted prints are considered to be some of the finest illustrated specimens of early book printing

  3. Oriented toward a female audience, this prized compendium has contents from both religious and secular texts

Compost et Kalendrier des Bergères

Facsimile Copy Available!
Price Category: €
(under 1,000€)
  1. Description
  2. Detail Picture
  3. Single Page
  4. Facsimile Editions (1)
Description
Compost et Kalendrier des Bergères

Guy Marchant (active 1483–1505/06) was a prolific Parisian publisher responsible for some of the finest codices from the dawn of book printing, including the so-called Shepherdess-Calendar at hand. Oriented towards a female audience, it is a variation of the popular Shepherd’s Calendar and represents a compendium of various texts, tables, and illustrative woodcuts. Over 80 printed graphics altogether adorn the print. The specimen at hand is the only copy in Spain, one of six in existence, and one of only three codices which are still intact.

Compost et Kalendrier des Bergères

This French incunable, an early printed book originating from before 1501, was published on August 17th, 1499 in the Parisian workshop of Guy Marchant (active 1483–1505/06). This prolific French printer was responsible for the manufacture of approximately 190 editions of incunable, with another dozen or so editions being printed in the 16th century. His prints are considered to be some of the finest illustrative works of the century, and his version of the Shepherd’s Calendar is counted among his most coveted creations. Marchant’s edition can more accurately be titled the Shepherdess Calendar, which was oriented toward a female audience but only had minor changes to the content. The specimen at hand is the only copy in Spain, one of six in existence, and one of only three codices that are still intact. First introduced in 1491, the text grew from three to five sections and its contents were a combination of science, superstition, and morally edifying content.

The Shepherdess Calendar

The contents of the book are a combination of elements from medieval compendiums like books of hours, the Ars Moriendi (a text instructing one how to die well), and the so-called Dance of Death (an artistic allegory for the universality of death). Sections of the codex include a calendar with saint’s days, tables of golden numbers and moveable feasts, astrology, advice on bloodletting, an interpretation of the Ten Commandments, The Tree of Sin, The Life of the Birds, Lazarus' account of the torments in Purgatory, Death on a Pale Horse from the Revelation of St. John, ballads and much, much more. Poetry and illustrative woodcuts are predominant in the work, with text in verse appearing more rarely. The calendar, instead of consisting of one woodcut, had a separate engraving for each month. Over 80 printed graphics altogether adorn the French text, which is printed in elegant Gothic script, and transport the reader through a fascinating world in which literature, science, and morals converge.

Codicology

Size / Format
136 pages (68 leaves) / 28.5 × 19.0 cm
Origin
France
Date
August 17, 1499
Language
Illustrations
over 80 prints
Content
Shepherd's Calendar
Artist / School

Available facsimile editions:
Compost et Kalendrier des Bergères – Vicent Garcia Editores – M-10 – Biblioteca Complutense (Madrid, Spain)
Vicent Garcia Editores – Valencia, 1999
Limited Edition: 3160 copies
Detail Picture

Compost et Kalendrier des Bergères

Dance of Death: The Inevitable Nature of Death

Two amused skeletons take two women of different social standing by the hand to dance with them. Although the young woman on the right side of the picture is clearly in the bloom of her life, she shyly smiles at the dead who is inviting her to dance. The other woman, dressed in exceptionally magnificent attire, seems to be much more averse to death. But no matter how averse one may be to death, or what social class one belongs to in the earthly world—dying is inevitable, and in this, all people are equal. These were the core messages of the Dance of Death iconography, which became widespread beginning in the 15th century, and which the readers of Guy Marchant’s Shepherdesses’ Calendar were also reminded of.

Compost et Kalendrier des Bergères – Vicent Garcia Editores – M-10 – Biblioteca Complutense (Madrid, Spain)
Single Page

Compost et Kalendrier des Bergères

Division of Labor on the Field

Between two richly ornamented columns stretch vast fields, where four farmworkers are busy harvesting. The work is clearly divided: the two men in the foreground are mowing the tall grass with large scythes, after which the women spread the harvest out on the spot to dry. In the background, a field can be seen where the next step—raking the dried hay into large piles—has already been completed.

In the poem printed below, the month of July itself speaks, describing its virtues from a first-person perspective: it is the hottest and driest month and an important time for the harvest. The workers protect themselves from the heat and sun by wearing long clothing and hats with wide brims and neck protection. At the bottom of the image, great care was also taken to depict their provisions in the form of a water bottle and a lunch bundle. The two medallions also show the month’s two zodiac signs: Cancer and Leo.

Compost et Kalendrier des Bergères – Vicent Garcia Editores – M-10 – Biblioteca Complutense (Madrid, Spain)
Facsimile Editions

#1 Compost et Kalendrier des Bergères

Vicent Garcia Editores – Valencia, 1999
Compost et Kalendrier des Bergères – Vicent Garcia Editores – M-10 – Biblioteca Complutense (Madrid, Spain)
Compost et Kalendrier des Bergères – Vicent Garcia Editores – M-10 – Biblioteca Complutense (Madrid, Spain) Copyright Photos: Ziereis Facsimiles

Publisher: Vicent Garcia Editores – Valencia, 1999
Limited Edition: 3160 copies
Binding: Parchment binding on wooden boards. The facsimile is presented in a linen-covered slipcase with a gold-tooled leather spine. This edition does not include an accompanying commentary volume. The separately available Spanish volume ‘Bibliofilia antigua VI’ contains a monograph by Manuel Sánchez Mariana on the original document. An academic introduction to the work, written by Manuel Sánchez Mariana, is available in the Spanish-language anthology “Bibliofilia antigua VI,” which can be purchased separately. The case has a cloth lining.
Commentary: 1 volume by Manuel Sánchez Mariana
Language: Spanish
Complete color reproduction of the original “Compost et Kalendrier des Bergères” at its original size. The facsimile aims to reproduce the original’s appearance, feel and physical characteristics as faithfully as possible. The pages are trimmed to the original format. The binding may differ from the original’s present-day binding. Printed on specially made laid paper.
Facsimile Copy Available!
Price Category: €
(under 1,000€)
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