Petrarca Queriniano

Petrarca Queriniano  – Salerno Editrice – INC. G V 15 – Biblioteca Queriniana (Brescia, Italy)

Venice (Italy) β€” 1470

The Canzoniere, created for an unknown noblewoman: Petrarch's love for Laura and mourning for her death adorned with touching marginal illustrations

  1. The first edition of Il Canzoniere was printed in Venice by Vindelino da Spira in 1470 to immediate acclaim

  2. All 312 pages are filled with impressive illuminations boasting typical motifs to illustrate the text by Petrarch (1304–74)

  3. This particular edition was individually illuminated by Antonio Grifo for an unknown noblewoman

Petrarca Queriniano

Facsimile Copy Available!
Price Category: €€
(1,000€ - 3,000€)
  1. Description
  2. Facsimile Editions (1)
Description
Petrarca Queriniano

This Venetian incunabulum from the workshop of Vindelino da Spira is a unique testament to the reception of Petrarch in Italy: it is from the first edition of Il Canzoniere in 1470 in addition to be extravagantly illustrated by Antonio Grifo. All 312 pages of the Petrarca Queriniano are filled with impressive illustrations boasting typical motifs and innovative, individual marginal decorations, sometimes even in precious gold. A Petrarch specimen of incalculable worth both for the Petrarch tradition and for art history.

Petrarca Queriniano

Francesco Petrarca (1304–1374) is probably one of the most famous Italian literati of the early Renaissance. His primary work, the Il Canzoniere cycle of poems, was particularly popular during the time of the Italian Renaissance and was finally printed in numerous editions. The work’s triumphal march in book-form began in the 1470’s, and it was from this first printing of Il Canzoniere that the famous codex of the Petrarca Queriniano originated in Brescia.

A Print as a Historic Event

This incunabula of such great historical value was made in Venice by Vindelino da Spira in 1470. Born Wendelin von Speyer, he was a German book printer who was active in Venice during the 1470’s. This first print of Petrarch’s work – Il Canzoniere and the Trionfi – was a historic event and the edition is a precious rarity today.

Wonderful Illumination

The Petrarca Queriniano has even more to offer: it is not only a valuable incunabulum, but was also gorgeously and individually illustrated. A Venetian poet and Miniaturist named Antonio Grifo, who is also ironically named in literature as a queriniano dilettante, was responsible for the extravagant decoration of the book. Grifo filled the work from the first page to the last with impressive creativity and fantasy in luminous colors. He expressed both his own interpretations as well as references to the tradition of Petrarch illustrations. Thus he created gorgeous figurative scenes amidst green trees and fields, splendid initials, and marginal decorations sometimes endowed with gold. This splendor is an indication that the edition was probably intended for a noblewoman. Today, the unique edition of the Petrarca Queriniano in Brescia is still an impressive testimonial to the tremendous esteem and popularity of Petrarch during the Renaissance.

Codicology

Alternative Titles
1470 Petrarca
Canzoniere e Trionfi
Size / Format
312 pages / 26.7 Γ— 17.6 cm
Origin
Italy
Date
1470
Language
Script
Humanist typeface
Illustrations
Hundreds of hand decorated pages with handwritten notes
Content
Petrarca's Canzoniere and Trionfi
Patron
probably a female member of the family of Aragon, such as Isabella or Eleonara of Aragon
Artist / School
Previous Owners
Paolo Gagliardi, Giulio Antonio

Available facsimile editions:
Petrarca Queriniano  – Salerno Editrice – INC. G V 15 – Biblioteca Queriniana (Brescia, Italy)
Salerno Editrice – Rome, 2016
Limited Edition: 499 copies
Facsimile Editions

#1 Il Canzoniere e i Trionfi

Salerno Editrice – Rome, 2016

Publisher: Salerno Editrice – Rome, 2016
Limited Edition: 499 copies
Binding: Plexiglas cassette
Commentary: 1 volume by Giordana M. Canova, Giuseppe Frasso and Ennio Sandal
Language: Italian
Facsimile Copy Available!
Price Category: €€
(1,000€ - 3,000€)
You might also be interested in:
Petrarca: Trionfi - Florence Codex – ArtCodex – ms. Strozzi 174 – Biblioteca Medicea Laurenziana (Florence, Italy)
Petrarca: Trionfi - Florence Codex
Florence (Italy) – Mid 15th century

The triumphs of the good and beautiful in miniatures like Renaissance panel paintings: Petrarch's famous poetic opus magnum in a golden masterpiece of Quattrocento Italian illumination

Experience More
Divina Commedia 1491 Illustrated Incunabulum – Salerno Editrice – C 23 – Casa di Dante (Rome, Italy)
Divina Commedia 1491 Illustrated Incunabulum
Venice (Italy) – November 18th, 1491

Already printed, but still lavishly and artistically illuminated by hand: the Divine Comedy by Dante Alighieri in the transition to a new era

Experience More
Petrarch's Italian Works – Franco Cosimo Panini Editore – Ms. Casanatense 924 – Biblioteca Casanatense (Rome, Italy)
Petrarch's Italian Works
Probably Venice (Italy) – 1470

The Canzoniere, the Trionfi, and the Rime estravanti: the three most famous works of Petrarch combined in the most extensive Petrarch manuscript of the Italian Renaissance

Experience More
Isolario – Vicent Garcia Editores – I/1261 – Biblioteca Nacional de EspaΓ±a (Madrid, Spain)
Isolario
Venice (Italy) – 1486

The only surviving Venetian incunabulum with headings in original purple ink: the poignant poems of humanist Bartolomeo Zamberti next to ornate island maps in bright colors

Experience More
Petrarch's Poems – Editrice Antenore – Vat. lat. 3195 – Biblioteca Apostolica Vaticana (Vatican City, State of the Vatican City)
Petrarch's Poems
Italy – 1366–1374

Completed by Petrarch himself: 40 years of poetic work, inspired by a legendary love story and brought together in this unique anthology with an eventful history of ownership

Experience More
Ambrosian Virgil of Francesco Petrarca – Hoepli – S.P. 10/27 – Biblioteca Ambrosiana (Milan, Italy)
Ambrosian Virgil of Francesco Petrarca
Italy – Ca. 1300–1325

Petrarch's personal copy of Virgil from his private library: stolen shortly after its completion, rediscovered in 1338, and finally provided with the famous allegorical frontispiece by Simone Martini

Experience More
Blog articles worth reading
Filter selection
Publisher