Isolario

Isolario

Bartolomeo dalli Sonetti is the author of this work of Italian poetry. The Venetian seafarer cannot be securely identified with Bartolomeo Zamberti, the translator of Euclid. He was also the author of this volume of Italian poetry. Printed in 1485 in Venice* by *Guilelmus de Panceretto Tridinensis, often referred to as “Anima mia”, it is an *incunable – an early printed work. This edition exhibits a more varied typography than others and is the only copy to have headings printed in purple ink. It contains maps of various islands that have been highlighted and adorned with poetic descriptions. An index was included for the reader’s convenience. Historian of cartography Tony Campbell commented that the Isolario “is the first printed island-book; it is the earliest printed collection of maps, even if they are very localized; it contains the first printed maps supposedly based on actual observation; and it is the first printed collection of maps to owe **no debt to Ptolemy*”.

Books of Islands

Originating from the 14th to the 16th centuries, Isolari are navigational maps of Mediterranean islands. They were intended for practical use on ships and contained information about shallows, reefs, and other obstacles to avoid as well as descriptions of the coastline, rivers, and important settlements of each island. Bartolomeo’s Isolario belongs to the most refined class of this genre, which described the islands in a poetic manner and were intended for a wealthy, well-educated audience. In fact,** “dalli Sonetti” is an epithet that was given to the author because of the 70 sonnets in his work describing the geography, history, and archaeology of each island in the Aegean Sea, e.g. a reference to the Colossus of Rhodes**. These lively vernacular sonnets exhibit lyrical influences from Virgil and Dante and are based on first hand observations that Bartolomeo made in the course of fifteen voyages to the Aegean islands. What is more, this is believed to be the first printed Isolario and features woodcuts of the islands showing perilous spots offshore and forests, villages, and monasteries on the islands’ interiors. These charts are surrounded by the rose of eight winds circle for the sake of accuracy. Despite its refinement and poetry, this codex was still intended to be a practical guide for a navigator or captain with a little money to spend.