Les Triomphes de Petrarque

Francesco Petrarca (1304–74), famous humanist, poet, and politician of the Italian Renaissance, is considered to be one of the most significant representatives of 14th century Italian literature. Petrarch – completely in the spirit of the Renaissance – took antiquity as a model and depicted man in the center of his worldview. The famous Trionfi, an allegorical poem, stand squarely in this tradition.

The Victory of the Good and Beautiful

This is a six-part verse poem in the form of triumphal depictions, a well-loved motif of Renaissance art as well, to be found e.g. in the countless triumphal processions. Here Petrarch extols the triumph of love, chastity, and glory, the triumph of time, the triumph of death over time, and the triumph of eternity. Intimate autobiographical references alternate with moralizing sections, and the Laura who Petrarch profoundly revered naturally stands at the center of the work.

The Masterful Poem in a Masterful Manuscript

The Vienna Trionfi-manuscript is a testimonial to the broad distribution of Petrarch’s poem. The Triumphs, this wonderfully allegorical Italian poem, is certainly not considered to be his most significant work, but is one of his most popular nonetheless. In this ambitious French translation of the Italian text – titled ***Les Triomphes de Petrarque*** – the significance of the Triumphs is made apparent. The gorgeous manuscript is a work of French illumination: **originating in Rouen from the years 1500–1510, it presents itself as a fantastic work of the so-called Rouen school.

Famous Lovers in Grandiose Painting

86 miniatures of Petrarch’s Trionfi are illustrated on 590 pages. These are gorgeously framed by impressive architectural decorative frames and are supplemented by 1,800 golden initials. The scenes present depictions of the content, e.g. Petrarch, dreaming in a chariot before Amor, and again Amor, the god of love. Additionally, numerous ancient myths were taken up, e.g. the tales of Pyramus and Thisbe, Salome, or Bathsheba.