The Golden Script
(under 1,000€)
One thing that is indispensable in medieval manuscripts of all kinds is initials. Even when rendered in the simplest form, they structured almost every handwritten text or at least introduced written documents. Even in the Early Middle Ages, book artists transformed capital letters into elaborate little works of art, sometimes taking up entire pages and often accompanied by other book decorations such as borders, curlicues, and drolleries. Without question, the most striking examples of the medieval art of initials are the historiated initials, which incorporate figurative representations related to the content of the text. The letters often enclose the miniatures. Sometimes, however, the figures also “inhabit” the body of the letter, as in the case of the so-called gymnastic initials. In fact, historiated initials already appeared in the insular book illumination of the Early Middle Ages, which also produced the famous interlace initials. This single-leaf collection provides a wonderful insight into the sophistication and craftsmanship of the medieval art of initials.
The Golden Script
The art of initials is one of the most significant achievements of medieval book art. Although the practice of emphasizing the initial letters of text passages began in late antiquity, it was medieval illuminators who first conquered the capital letters (majuscules) as a field for artistic creativity and invention. In the course of the Middle Ages, initials, together with decorated borders and frames, became those places in precious manuscripts where their creators could try out and develop their artistic talents. The occasionally humorous results give witness to a great joy in design and creation. The small works of art, which are often adorned with gold and silver, became a central decorative element of secular and religious books already in the Early Middle Ages and fulfilled various functions. They were decoration, underlined the value of a text, but also represented the status and wealth of the patron, were pictorial additions to the text content, and were used to structure the text.
Magnificent Letters from the Early Middle Ages to the Renaissance
Just like the script of the body of the text and the miniatures, their forms of course arose from the respective taste of the time and stylistic developments and thus changed over time. This single-leaf collection of ten beautiful pages from the 8th to 15th centuries provides a small but artful insight into the limitless variety created by medieval illuminators – from an impressive interlace initial from the Lindisfarne Gospels to a beautiful initial with split stem and scroll ornament from the Harley Psalter and an historiated initial from the Bohun Psalter, designed with incredible attention to detail, to a sumptuous Renaissance decorated page from the Sforza Hours.
Incipit Decorated Page of the Gospel of John
BLindisfarne Gospels, Lindisfarne, before 698
London, British LibraryIncipit Decorated Page of the Gospel of Matthew
Ebbo Gospels, Reims, 816/835
Epernay, Bibliothèque municipaleCanon Table
Gospels of Lothair, Tours, ca. 849/851
Paris, Bibliothèque nationale de FranceBeatus Vir Initial Decorated Page for Psalm 1
Harley Psalter, Winchester, ca. 980
London, British Library“Q” Initial with Scenes from the Life of Jacob
Bohun Psalter, England, ca. 1370
Oxford, Exeter College“D” Initial with Royal Chess Game
Tafel van den Kersten Ghelove, Utrecht, ca. 1410
New York, The Morgan Library & MuseumInitial Decorated Page
Darmstadt Pessach Haggadah - Codex Orientalis 8, Heidelberg, ca. 1430
Darmstadt, Hessische Landes- und Hochschulbibliothek“D” Initial with the Adoration of the Magi
Stephan Lochner Prayer Book of 1451, Cologne, 1451
Darmstadt, Hessische Landes- und Hochschulbibliothek“D” Initial with the Presentation of Jesus at the Temple
Hours of Mary of Burgundy, Ghent or Bruges, 1470–1480
Vienna, Österreichische Nationalbibliothek“D” Initial
Sforza Hours, Milan and Ghent, ca. 1486/90 and around 1520
London, British Library
Codicology
- Alternative Titles
- Kassette Die Goldene Schrift
- Origin
- France
- Date
- 7th–15th century
- Genre
- Language
- Illustrations
- 10 miniatures
- Content
- Ten leaves from important manuscripts
- Artist / School
- Giovan Pietro Birago
Gerard Horenbout
Stefan Lochner - Previous Owners
- Bishop Eadfrith of Lindisfarne
Bona Sforza, Duchess of Milan
Margaret of Austria
Catherine of Aragon
Mary of Burgundy
Humphrey de Bohun
Elizabeth of York, queen consort of England
The Golden Script
Chess – Tafel van den Kersten Ghelove
Appearing in a Dutch manuscript from ca. 1410, a king and queen playing chess are depicted in a historiated “D” initial consisting of blue acanthus leaves and a burnished gold background. They sit beneath a tree, presumably in a garden, play on a chessboard without pieces, and are accompanied by two men and two women in the foreground; all the figures wear golden crowns. Aside from being one of the most popular games among the nobility, the game of chess was used by authors like Jacobus de Cessolis as an allegory for medieval society.

The Golden Script
Psalm 52 – The Bohun Psalter
Although containing the text of Psalm 52 (or Psalm 51 in the Vulgate as it appears here), the imagery of this page from comes from the Book of Genesis and depicts scenes from the life of Jacob. The historiated “Q” initial is divided into four miniatures beginning in the upper-right corner: Jacob and Laban meet; Laban searches Rachel's tent; Laban and Jacob build the witness heap; Jacob sends presents to Esau. It is also adorned by five dragons as well as tiny medallions with the escutcheons of the Bohuns (a gold dragon on a blue field) and the English royal family (a gold dragon on a red field).
Five bas-de-page miniatures with trefoil arches decorated with crockets, finials, and pinnacles appear in the crenellated base of the architectural frame: Jacob wrestles with the angel; Jacob and Esau meet; Shechem ravishes Dinah; the Shechemites agree to be circumcised; the slaughter of the Shechemites. The tower-like structures with crocketed niches and adjoining buttressed pinnacles on either side of the text feature four pairs of musicians playing harps, fiddles, horns, and drums respectively. This late-14th century Psalter is a splendid example of the highly refined English Gothic style.

#1 Kassette Die Goldene Schrift
Language: German
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