The Golden Script

The Golden Script – Coron Verlag – Several Owners

Tours (France); Lindisfarne (United Kingdom) and others — 7th–15th century

From the initial letter to the independent work of art: ornamental and historiated initials as the ultimate fusion of text and image over the centuries, from the Lindisfarne Gospels to the Sforza Hours

  1. Historiated and scenic initials first emerged in the early 8th century and are an invention of Insular illuminators

  2. While the images of the historiated initials refer to the text, scenic initials show figures without any connection to the text

  3. No less artistic were the ornamental initials of the Middle Ages with their extraordinary richness of shapes and patterns

The Golden Script

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  1. Description
  2. Detail Picture
  3. Single Page
  4. Facsimile Editions (1)
Description
The Golden Script

One thing that is indispensable in medieval manuscripts of all kinds is initials. Even when rendered in the simplest form, they structured almost every handwritten text or at least introduced written documents. Even in the Early Middle Ages, book artists transformed capital letters into elaborate little works of art, sometimes taking up entire pages and often accompanied by other book decorations such as borders, curlicues, and drolleries. Without question, the most striking examples of the medieval art of initials are the historiated initials, which incorporate figurative representations related to the content of the text. The letters often enclose the miniatures. Sometimes, however, the figures also “inhabit” the body of the letter, as in the case of the so-called gymnastic initials. In fact, historiated initials already appeared in the insular book illumination of the Early Middle Ages, which also produced the famous interlace initials. This single-leaf collection provides a wonderful insight into the sophistication and craftsmanship of the medieval art of initials.

The Golden Script

The art of initials is one of the most significant achievements of medieval book art. Although the practice of emphasizing the initial letters of text passages began in late antiquity, it was medieval illuminators who first conquered the capital letters (majuscules) as a field for artistic creativity and invention. In the course of the Middle Ages, initials, together with decorated borders and frames, became those places in precious manuscripts where their creators could try out and develop their artistic talents. The occasionally humorous results give witness to a great joy in design and creation. The small works of art, which are often adorned with gold and silver, became a central decorative element of secular and religious books already in the Early Middle Ages and fulfilled various functions. They were decoration, underlined the value of a text, but also represented the status and wealth of the patron, were pictorial additions to the text content, and were used to structure the text.

Magnificent Letters from the Early Middle Ages to the Renaissance

Just like the script of the body of the text and the miniatures, their forms of course arose from the respective taste of the time and stylistic developments and thus changed over time. This single-leaf collection of ten beautiful pages from the 8th to 15th centuries provides a small but artful insight into the limitless variety created by medieval illuminators – from an impressive interlace initial from the Lindisfarne Gospels to a beautiful initial with split stem and scroll ornament from the Harley Psalter and an historiated initial from the Bohun Psalter, designed with incredible attention to detail, to a sumptuous Renaissance decorated page from the Sforza Hours.

  1. Incipit Decorated Page of the Gospel of John
    BLindisfarne Gospels, Lindisfarne, before 698
    London, British Library

  2. Incipit Decorated Page of the Gospel of Matthew
    Ebbo Gospels, Reims, 816/835
    Epernay, Bibliothèque municipale

  3. Canon Table
    Gospels of Lothair, Tours, ca. 849/851
    Paris, Bibliothèque nationale de France

  4. Beatus Vir Initial Decorated Page for Psalm 1
    Harley Psalter, Winchester, ca. 980
    London, British Library

  5. “Q” Initial with Scenes from the Life of Jacob
    Bohun Psalter, England, ca. 1370
    Oxford, Exeter College

  6. “D” Initial with Royal Chess Game
    Tafel van den Kersten Ghelove, Utrecht, ca. 1410
    New York, The Morgan Library & Museum

  7. Initial Decorated Page
    Darmstadt Pessach Haggadah - Codex Orientalis 8, Heidelberg, ca. 1430
    Darmstadt, Hessische Landes- und Hochschulbibliothek

  8. “D” Initial with the Adoration of the Magi
    Stephan Lochner Prayer Book of 1451, Cologne, 1451
    Darmstadt, Hessische Landes- und Hochschulbibliothek

  9. “D” Initial with the Presentation of Jesus at the Temple
    Hours of Mary of Burgundy, Ghent or Bruges, 1470–1480
    Vienna, Österreichische Nationalbibliothek

  10. “D” Initial
    Sforza Hours, Milan and Ghent, ca. 1486/90 and around 1520
    London, British Library

Codicology

Alternative Titles
Kassette Die Goldene Schrift
Origin
France
Date
7th–15th century
Language
Illustrations
10 miniatures
Content
Ten leaves from important manuscripts
Artist / School
Previous Owners
Bishop Eadfrith of Lindisfarne
Bona Sforza, Duchess of Milan
Margaret of Austria
Catherine of Aragon
Mary of Burgundy
Humphrey de Bohun
Elizabeth of York, queen consort of England

Available facsimile editions:
The Golden Script – Coron Verlag – Several Owners
Coron Verlag – Gütersloh, 1983
Limited Edition: 1495 copies
Detail Picture

The Golden Script

Chess – Tafel van den Kersten Ghelove

Appearing in a Dutch manuscript from ca. 1410, a king and queen playing chess are depicted in a historiated “D” initial consisting of blue acanthus leaves and a burnished gold background. They sit beneath a tree, presumably in a garden, play on a chessboard without pieces, and are accompanied by two men and two women in the foreground; all the figures wear golden crowns. Aside from being one of the most popular games among the nobility, the game of chess was used by authors like Jacobus de Cessolis as an allegory for medieval society.

The Golden Script – Coron Verlag – Several Owners
Single Page

The Golden Script

Psalm 52 – The Bohun Psalter

Although containing the text of Psalm 52 (or Psalm 51 in the Vulgate as it appears here), the imagery of this page from comes from the Book of Genesis and depicts scenes from the life of Jacob. The historiated “Q” initial is divided into four miniatures beginning in the upper-right corner: Jacob and Laban meet; Laban searches Rachel's tent; Laban and Jacob build the witness heap; Jacob sends presents to Esau. It is also adorned by five dragons as well as tiny medallions with the escutcheons of the Bohuns (a gold dragon on a blue field) and the English royal family (a gold dragon on a red field).

Five bas-de-page miniatures with trefoil arches decorated with crockets, finials, and pinnacles appear in the crenellated base of the architectural frame: Jacob wrestles with the angel; Jacob and Esau meet; Shechem ravishes Dinah; the Shechemites agree to be circumcised; the slaughter of the Shechemites. The tower-like structures with crocketed niches and adjoining buttressed pinnacles on either side of the text feature four pairs of musicians playing harps, fiddles, horns, and drums respectively. This late-14th century Psalter is a splendid example of the highly refined English Gothic style.

The Golden Script – Coron Verlag – Several Owners
Facsimile Editions

#1 Kassette Die Goldene Schrift

Coron Verlag – Gütersloh, 1983

Publisher: Coron Verlag – Gütersloh, 1983
Limited Edition: 1495 copies
Binding: Box
Commentary: 1 volume
Language: German
1 volume: 10 leaves under passe-partouts: Exact reproduction of the original document (extent, color and size) Reproduction of the entire original document as detailed as possible (scope, format, colors). The binding may not correspond to the original or current document binding.
Facsimile Copy Available!
Price Category: €
(under 1,000€)
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